Earth/Energy: NCECA 2013

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Earth/Energy: NCECA 2013

This blog is an introduction, review and glimpse into NCECA 2013: Earth/Energy.  Exploring ideas of place, materiality, motivation and engagement through reflections and conversations with international ceramic artists including NCECA's 2013 emerging artists. 

Members: 14
Latest Activity: Feb 8

Earth/Energy

The theme for the NCECA conference this year is Earth/Energy.  The concept of this theme is derived from the essential elements of the ceramic process.  This theme is also described as a "tribute to the places we live and create, the materials we use, and the ENERGY that drives our process as ceramic artists, educators and enthusiasts."  (You can see the full theme description here.) 

I am particularily interested in the concept of place. The way in which our sense of place as physical geography, within culture and community and our ability to create a sense of place or belonging affects our work as artists and designers.  The value of handmade objects, in a large part, resides within this sense of place.  Art, craft and design has the ability to impart users and observers with a sense of place, meaning and belonging. 

I am a potter.  I make objects meant for use, to function and adorn daily life.  My physical place is a home based studio in a small 1950's house in the remote Canadian mountain town of Nelson, British Columbia.  It is in this space, influenced by my relationship to food, my study of both historical ceramics and modern design, and a  daily engagement with the natural world, that I produce functional ceramics with an emphasis on texture, pattern and use. 

Of these influences, mainly connected to my sense of place, I am consistently influenced by food and use.  I rarely make an object without a direct and obvious function.  In this way, I am a traditional potter making objects based on contemporary habits and needs. 

I frequently think about the food and drink which will be served, held,experienced by the objects I make.  Form and design respond to these uses.  I think of this food and drink as part of my materials, as my tools, just as essential to my practice as the clay, water, wheel and kiln I use to make the pots. Without them, my work would never be fully realized.  In a large part, it is also food and drink that contribute to my sense of place in relation to community and belonging.  I connect to the people in my life frequently over a cup of tea, a glass of wine, a nourishig meal.  I maintain a sense of place, belonging, through the rhythm of the seasons and how the seasons inlfuence the food I prepare. 

A sense of place, in the physical sense, a place that is known, rhythmical and a sense of place as belonging, community- both tangible and virtual- are what give my practice energy. 

I am curious about what will emerge at NCECA through forums, discussions and exhibitions in relatation to the theme Earth/Energy.  How do you create a sense of place and how does your sense of place affect your studio practice?  What provides your work with energy?

 

 

 

 

 

Discussion Forum

Interviewing NCECA 2013 Emerging Artist Amber Ginsburg

Started by Kalika Bowlby Feb 8. 0 Replies

Amber Ginsburg works frequently with clay but her work responds to histories, locations and narratives in a way that is not bound by specific materials or methods of expression.  She often works…Continue

Tags: Emerging, Artists, Interview, installation, ceramics

Interviewing NCECA Emerging Artist Lauren Gallaspy

Started by Kalika Bowlby Jan 15. 0 Replies

NCECA 2013 Emerging Artist Lauren Gallaspy's work spans many disciplines including functional and sculptural ceramics, painting, and drawing.  Through all of her work there is a theme of exposure, a…Continue

Tags: Lauren, Gallaspy, Artist, Emerging, 2013

Interviewing NCECA 2013 Emerging Artist Brian R. Jones

Started by Kalika Bowlby Oct 9, 2013. 0 Replies

NCECA 2013 Emerging Artist Brian R Jones is a contemporary ceramic artist.  His functional pottery combines slip coated earthenware, drawing and bright fluid glazes.  Based in Portland, Brian is also…Continue

Tags: Artist, ceramics, pottery, Emerging, 2013

Interview: NCECA 2013 Emerging Artist Lindsay Pichaske

Started by Kalika Bowlby Jul 4, 2013. 0 Replies

NCECA 2013 Emerging Artist Lindsay Pichaske's work defies classification, blurring boundaries and existing on the threshold between human and animal.  Her figurative animal sculptures are incredibly…Continue

Tags: Lindsay, Pichaske, Ceramics, Artists, 2013

Comment Wall

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Comment by Tom Supensky on February 25, 2013 at 10:59am

The theme of any NCECA conference can be viewed in numerous ways.  Thats what makes NCECA attractive to so many of us.  I will be leading a panel discussion titled Aesthetics and Aging along with panel members Don Reitz and Cynthia Bringle on Thursday, March 21 at 9 am in General Assembly C room.  We will be discussing how one keeps the creative flame alive as we get older.  So, how does our topic relate to the theme of this year's conference?  You tell me.  Or...maybe the fact that those of us working in clay are automatically connected to earth.  The effort we take to create comes from mental and physical energy.  Don, Cynthia and I look forward to seeing you in Houston and getting your comments to a very important aspect of maintaining the creative spirit.  Remember, aging is a continuous process that affects us no matter how old we are.  Of course, the older we get the more we have to adjust our aesthetic direction.

 

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Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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