All Discussions Tagged 'studio' (6)

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Appropriating Images for Art: When is it okay?

One of my favorite weekend pleasures is Studio 360.  A recent show discussed the issue of appropriation in art, in particular the case bet…

Started by Michelle Pajak-Reynolds

0 Apr 15, 2012

Payroll Policies, Deanna Lohnes, Founder of Parlance Media

Below is a great post from www.designspongeonline.com's Biz Ladies feature about Payroll Policies by Deanna Lohnes, Founder of Parlance Med…

Started by Michelle Pajak-Reynolds

0 Nov 23, 2010

eMERGE Guest Blogger: Anne Havel-Know How to Price Your Work in a Few (Relatively Painless) Steps Part 3 of 3

Below is Part 3 of Anne Havel's eMERGE guest blogger series on pricing.  Key terms from Parts 1 and 2 are listed here for easy reference. N…

Started by Michelle Pajak-Reynolds

1 Sep 8, 2010
Reply by Glen Guarino

eMERGE Guest Blogger: Anne Havel-Know How to Price Your Work in a Few (Relatively Painless) Steps, Calculating Overhead

Below is a special topic post on Calculating Overhead by eMERGE guest blogger Anne Havel. Key terms from Parts 1, 2, and 3 of her 3 part se…

Started by Michelle Pajak-Reynolds

1 Sep 8, 2010
Reply by Catherine Marche

Going Where Makers Fear to Tread Part 3 of 6

What goes out and how quickly it comes back: The Operating Cycle A significant portion of my accounting class at Baldwin-Wallace College is…

Started by Michelle Pajak-Reynolds

6 Jun 28, 2010
Reply by Catherine Marche

Welcome to eMERGE

MBA vs. MFA or the Difference One Letter Makes I hold a BFA in jewelry and many have asked why I’m pursuing an MBA in Entrepreneurship at B…

Started by Michelle Pajak-Reynolds

0 May 16, 2010

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

OFF TO THE RACES:

Rachel and Brigitte got started on their own cooperation. Follow along and comment.

Latest Activity

Wendy McAllister liked Brigitte Martin's blog post Marine Life in Glass - Leopold and Rudolf Blaschka
6 hours ago
Wendy McAllister liked Brigitte Martin's blog post The Wondrous World of Nelly Saunier: Gaultier’s Plumassière Extraordinaire
6 hours ago
Jennifer Merchant and Colleen Baran are now friends
6 hours ago
Brigitte Martin liked Andrea Ring's photo
9 hours ago
Joshua Solomon is now a member of crafthaus
12 hours ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"http://www.ucreative.ac.uk/opendays Open days well underway... UCA Farnham Wednesday 29 October 2014 Saturday 15 November 2014 Wednesday 3 December 2014 Please note: the course talk for BA (Hons) Hand Embroidery for Fashion, Interiors,…"
15 hours ago
Brigitte Martin commented on Brigitte Martin's group SNAG
""Forging Entrepreneurs" Presenter Spotlight Chris HentzThe Possibilities of Digital Fabrication in a Small Metals Studio: Flat Pattern Development vs. 3D PrintingHentz presents a variety of ways to use the Rhino CAD program as illustrated…"
15 hours ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"GETTING STARTEDYou’ve got what it takes to succeed, now learn the skills to start in business Have you graduated in the last five years from a certified UK Precious Metal course? Do you need support in developing your business skills?…"
16 hours ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"SETTING OUTAre you looking to set up a creative, design led business? Do you need support and space to plan your next career move? SETTING OUT is the opportunity to achieve your goals.Setting Out is aimed at graduates and working goldsmiths as well…"
16 hours ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"ENTER THE PRECIOUS METAL BURSARY COMPETITIONBe recognised as a star of the futureApplications are now open for the prestigious Precious Metal Bursary Award. This award supports selected, final-year undergraduate students to complete their end of…"
16 hours ago
Brigitte Martin posted a blog post

The Wondrous World of Nelly Saunier: Gaultier’s Plumassière Extraordinaire

Poésie Du nord au sud2011 In January 1997 Jean Paul Gaultier made his somewhat unconventional entry into the world of Haute Couture. Amongst his most memorable offerings for Spring ’97, was a striking parakeet bolero of multi-hued plumage. The aforementioned creation was the handiwork of master plumassière Nelly Saunier,…See More
18 hours ago
Mark Fenn - Studiofenn and Lieta Marziali are now friends
22 hours ago

Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK

INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.

Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!

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