On inspiration...

Sometimes it helps me to see what others are doing and what concepts they are pursuing in their individual bodies of work, also paying special attention to artists working in mediums outside of my primary.  I often take the knowledge from studying other mediums and apply it to my metalwork.

I recently attended a fold-forming class and shortly after watched a documentary on Origami; the two things in my mind really started to intertwine...   The documentary, Between the Folds, gives you a glimpse into the lives of Origami artists and the sculptures they are creating.  The techniques; the results =ASTOUNDING.  I had no idea you could get such animated and intense forms, some of which can take hundreds of hours of pure folding.  I wonder if metal would stand up to this amount of folding.

PBS website > Between the Folds

I highly recommend this documentary and recognizing the significance of other avenues of knowledge and inspiration around us in our everyday lives.   I also feel that the result of experimentation and use of alternative media can work to strengthen and refine a project/series.

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I watched that movie a while back and it is, as you say, amazing. Trying to get out of my head, though, I took a different tack and started a figure drawing group. My primary work is in steel and I draw abstracts, but I have this idea that practice observing, really seeing, will help open me up to new ideas. Anyway, that's the way it's supposed to work....

I am very open to begin a project/thinking process with a medium outside of my own (metal). Actually, the more obscure and unlikely the material the better. I really try very, very hard to not duplicate or draw from other people's work but to come up with my own language.

It's a constant pull: I am very much interested in other people's work and I see loads of images daily, it's part of my job to know what you guys are doing, but for my own practice I have to make an effort to wipe the slate blank the best I can. I can do that best with unusual, simple materials. It could be a string of yarn, plastic or wood, anything.

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

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