This is what I think is going to happen:

Magazine editors and designers are going to gather at a secret location somewhere in Minneapolis, MN. With computers on every surface and the latest issue of Merriam-Webster at hand, they will duke it out over commas vs. semicolons and what the correct answer is to who said what, when, where, and why. What photos to use for the article and where to place them on the page? Which image tells the story best?



Well, apparently, my assumptions are not too far off. I asked Monica Moses, editor in chief of the magazine, and she explained things to me this way: “I guess I just think the process is very nerdy. Most people probably don't realize how much effort it takes to prevent mistakes and assure clarity in a publication. Sometimes we talk about very, very minute things. ("Do you think that angel dancing on the head of a pin is 5'2" or 5'3"? Would you describe her as blond or towhead?") But it's all important. And sometimes, in discussing something seemingly tiny and innocuous, you discover a big problem.”



Alright then.



I am letting you all in on this a few days ahead time so that you can ask any question you may have about the whole magazine editing and closing process. What do you want to know? Post in the comment section if you are a crafthaus member, or email me via crafthauseditor at gmail dot com.

Let's see how this really works: 2 - A Day of Travel

Views: 68

Replies to This Discussion

As a former magazine editor (The Metal Arts Guild of Canada's MAGazine), it will be interesting to see your perspective on this, and how AC's process is different from what we went through. Our staff was very lean - only 3 core people with a changing roster of writers. I do agree that the process is nerdy, but it's also fun.

Dianne - I sure look much forward to it and will keep you all informed!!

I am sure some of my questions were already on Brigitte's to-ask list:

How do they determine content?

What responsibility do they feel they have to educating on historical elements?

How would a maker who is not affiliated with a gallery come to their attention? 

How do they balance demands of print and web-based content?

Who do they think of as their audience?

Thanks, Ana. Great questions. I'll ask!

RSS

Latest Activity

Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"ACJ will be at Make your Mark. See you there. https://www.assayofficelondon.co.uk/events/make-your-mark-2017 ;"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Don't Miss Our Exciting Event in Winchester 17-19 November 2017 This year, brought to you by the organiser of the UK's most popular craft fairs, Craft In Focus is delighted to introduce a mixed discipline contemporary craft fair…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
https://britishart.yale.edu/research/residential-scholar-awards     Visiting Scholar Awards   These awards provide academic, museum, and independent scholars, as well as doctoral students, working in any field related to…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Meet the new generation of Hatton Garden jewellers hoping to shake things up in London’s historic diamond quarter. https://www.facebook.com/BBCLondon/videos/1755530434488646/"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"We'll be setting up the 20:20 Visions exhibition at the Crafts Study Centre, UCA Farnham next Wednesday 25th October. Exhibition 31 Oct - 9 December   20:20 Visions exhibition Celebrating twenty years' work from the Association for…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"New from Suzanne Claire Jewellery...   Made up of interlinking circles, these solid silver studs are adorned with a French knit imprinted pattern, which glistens beautifully as they catch the light. Available in silver or oxidised (blackened)…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Showcasing some of the very best and most original makers of high quality contemporary craft and design, MADE LONDON is a must for makers and craft-buyers alike. At madebyhandonline we are delighted to be sponsors of the show again and…"
yesterday

Videos

  • Add Videos
  • View All

Masthead Credits

Attic Turbine Vent (shoulder broach)

By Ana M. Lopez

Sterling silver. spins when blown.

© 2017   Created by Brigitte Martin.   Powered by

Badges  |  Report an Issue  |  Terms of Service