Dear artists

By getting a better appreciation of the work of others, we can improve our own work as artists. With this in mind, members of Voila! have participated in a learning forum on critiquing/judging. The objectives were to develop tools including a framework to help critique artwork and a scoring sheet to judge it. These tools will be used to judge the Polymeristas of the Month on Voila! (www.voila.eu.com)


The encouraging but not altogether satiating “wow”, “great”, “I love your work”
is often all we get in lieu of a critique. If you'd like a reaction to your work that goes beyond this post one image of your work by August 31, midnight (GMT) Please, post only one piece – several images of the same piece are fine. Both the framework and the scoring sheets are accessible on the forum now. (You must log in to access).


By participating, you will help the judges-in-training with their learning. You will be able to get a sense of how your work is perceived by fellow members who have been reflecting on these issues for a few weeks. It is the wish of all who participated in this learning forum that the Framework should help you with your own journey as an artist.


Happy journey!


Christine



Tags: critiquing, judging

Views: 41

Replies to This Discussion

Hi Ronna, thanks for your reply. I think that for the moment, I don't want to overwhelm the Judges-in-Training panel with too many submissions, and would like to stay with polymer clay. Having said that, we have much to learn from our fellow artists in other disciplines, and the idea of widening the circle is appealling.

I plan to run other workshops to explore in more depth various components of the framework - specific elements of art or principles of design, to give examples - and maybe that'd be the time to invite other disciplines to participate.

Yes, by all means, spread the word. I've posted on facebook, but if you "paid it forward", I would greatly appreciate it.
That sounds great, very constructive ....
Thanks !

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

OFF TO THE RACES:

Rachel and Brigitte got started on their own cooperation. Follow along and comment.

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Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK

INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.

Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!

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