Greg Corman is a Tucson-based sculptor who works primarily with reclaimed wood, steel, and found objects to create functional bee habitats, benches, tables, and vessels.  

His bee habitat sculptures don't attract the common honeybee, which by the way, is a non-native species introduced from Europe and Africa. Instead, they support solitary bees, important pollinators that are non-aggressive and nest in holes in the ground or in dead trees.  There are an estimated 1000-1200 species of native bees in Arizona alone, but many have been hit hard by habitat loss, competition from non-native species, pesticides, etc..

Photo: Green Cosmos Bee Habitat

So how does this work? Using reclaimed wood, metal, and paint from a variety of sources, Corman cuts, carves, and paints his sculptures.  He drills a series of holes into the side edge of the wood that are just wide enough to attract leafcutter bees. Inside the drilled tunnels, the females create individual cells, each with a food source (pollen and nectar) and a single egg. When the larvae hatch, they eat the food in the cell, grow and pupate, eventually emerging as adults by chewing their way out of the cell. 

Photo: Owl Bee Habitats




This photo shows one of his lizard and bee habitat bench that is currently installed at the Arizona-Sonora Desert Museum.  The bee habitat is within the wooden elevated pieces. There are openings in the back of the bench for lizards and other critters to come and go, and the front of the bench was made solid to prevent sedentary humans from squealing loudly as they might otherwise find lizards crawling between their legs.

He is an industrious artist who transforms his scrounged materials into functional art and says that he is rapidly using up many of his scrounged materials.  


Photo: Pile of beam ends that Corman purchased from a carpenter after contacting him on Craigslist


He notes, “I'd love to help out some of the commenters on your blog who need to purge!!!”  He's good on his word. I recently off-loaded some old rebar and steel posts and now have a cleaner yard. 

You can see more of his work at the Phoenix-based gallery, Practical Art and at future Tucson Open Studio events. 





Photo: Oak vessel

Tags: Corman, Greg, Scrounge, bee, bees, habitat

Views: 342

Replies to This Discussion

The idea of creating species habitats out of reclaimed wood is really great. My sister in Germany has a few traditional beehives (honey bees), I will tell her about this. She'll love it.

Also, that oak vessel you are showing is wonderful!! Could you please ask Greg what finish he used on the wood to make it food safe?

Thank you!!

PS: Sorry, I have nothing to purge, am still happily scrounging. I have the PRACTICAL ART place on my list of places to visit next month !! :-)

Thanks Brigitte. Hope she likes it.

Greg said he uses mineral oil or tung oil for his non-toxic finishes.

Thanks! Good to know. I always ask these things out of my nerdy interest in insignificant details. ;-) Appreciate your asking him.

Can't wait to meet you next month!!

BTW: That photo of the pile of beam ends is quite beautiful too. A real postcard.

Really great objects.  Thanks for featuring him.

Charity, these are really inspiring.  I have lots of drill bits, some scrap wood and a love of wild bees. Now if I could scrounge out a bit more spare time...  I look forward to learning more about this when I meet you this summer.  

RSS

2014 Crafthaus Project Grant Recipient

Crafthaus is pleased to announce that Leisa Rich's project "Invisible:VisAble" garnered 968 votes of 2,575 total votes cast (37.59%) and is the 2014 Crafthaus Project Grant Winner.

Starting in November, we all look forward to following Leisa's crafthaus blog about her project.

Thank you to everyone who voted. Much success for all projects!

View all voting results.

Latest Activity

Profile IconCurtis H Arima, Harriete Estel Berman and 18 other members joined Mark Fenn - Studiofenn's group
Thumbnail

Tales From the Tool Box - Chapter One

Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
9 hours ago
Rene Lee Henry commented on Brigitte Martin's group Crafthaus Project Grant 2014
"Congratulations! "
11 hours ago
Brigitte Martin posted a blog post

Ayasha Wood - Embroidery

Ayasha Wood is a UK based surface designer, specializing in embellishment for fashion.With an eye for color and composition, she utilizes a mixture of…See More
13 hours ago
Susan Lee Stephen shared Brigitte Martin's blog post on Facebook
15 hours ago
Susan Lee Stephen liked Brigitte Martin's blog post The Frog Museum
15 hours ago
Susan Lee Stephen shared Brigitte Martin's blog post on Facebook
15 hours ago
Susan Lee Stephen liked Brigitte Martin's blog post The Wondrous World of Nelly Saunier: Gaultier’s Plumassière Extraordinaire
15 hours ago
L. Sue Szabo commented on L. Sue Szabo's photo
Thumbnail

On the Boardwalk

"thanks stacy- that;s so nice of you to say!"
15 hours ago
Stacy Haviland commented on L. Sue Szabo's photo
Thumbnail

On the Boardwalk

"This piece is so beautiful. I look at it often."
17 hours ago
Stacy Haviland posted a status
"This group of artists are so inspiring! I was "swayed" by the beauty and personal messages of all the work"
17 hours ago
Emily Hickman liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
20 hours ago
Emily Hickman shared Mark Fenn - Studiofenn's group on Facebook
20 hours ago

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

© 2014   Created by Brigitte Martin.

Badges  |  Report an Issue  |  Terms of Service