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SNAG

Society of North American Goldsmiths is the premier association for jewelry, design and metalsmithing.

Website: http://snagmetalsmith.org
Location: online
Members: 178
Latest Activity: 15 hours ago

SNAG NEWS


NEWS:
Listen to Dana Singer's interview with Jay Whaley on Blog Talk Radio.

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Join us for the 39th annual conference of the Society of North American Goldsmiths in the heart of downtown Houston.

Thought-provoking presentations and inspiring exhibitions will explore forms of extremes within the contemporary jewelry and metalsmithing discipline; this programming will provide the context for contemplation of divergent approaches to issues such as concept, scale, materials, process, utility and value, not to mention the extraordinary ideas that result when conventional limits are challenged.

In addition to an outstanding slate of speakers, events will include two evening exhibition crawls, Exhibition in Motion, the popular SNAG Pin Swap, Professional Development Seminar, Education Dialogue, Portfolio Reviews, Vendor Room, and Final Night Party with Dancing.

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DEADLINE EXTENDED: November 16, 2009

The Museum of Fine Arts, Houston’s Glassell School of Art announces an open call to artists to submit entries for:

eXtremities: Exploring the Margins of the Human Body

A juried exhibition of works for and about the body’s physical extremities - as inspiration, as subject, as site.

This will be a featured exhibition during the 2010 SNAG Conference, Going to eXtremes (March 10–13, 2010).

Exhibition Dates: March 1-14, 2010
Location: The Jung Center, 5200 Montrose Blvd, Houston, Texas
Juror: Seattle Metalsmith, teacher and writer, Andy Cooperman


Eligible Work: Work in any media that is made for the body’s physical extremities (i.e., arms, hands, legs, feet, etc.) or that is inspired by the body’s physical extremities. Work does not have to be wearable, but must be original, completed within the last 2 years and not previously exhibited at a SNAG Conference. No entry can exceed 20” in any direction or weigh more than 10 pounds.

About the Juror: Andy Cooperman lives in Seattle Washington. His work, known for an intuitive melding of high craft and spontaneous surface and form development, can be found on the pages of numerous publications including Art Jewelry Today (I & II) and The Penland Book of Jewelry. Public collections include the Victoria and Albert Museum and Tacoma Art Museum. Andy teaches seminars and workshops across the country and held a two-year position as a visiting lecturer at the University of Washington. In addition to building one-of-a kind pieces, Andy also works with clients as a custom jeweler and commission metalsmith. His most recent exhibition Selections from Animates, Portals and Hymenoptera, a collection of jewelry and objects from three bodies of work, was on display at the Tacoma Art Museum. Please visit his website at andycooperman.com.


About the Venue: Located in the heart of the Museum District, The Jung Center is ideally situated next to the Glassell Junior School, site of the SNAG juried student exhibition and across from the Museum of Fine Arts’ Glassell School of Art. The Jung Center has an elegant, intimate exhibition space; it will be a featured venue on the conference’s Thursday night exhibition crawl.


Eligible Artists: All artists 18 years or older are eligible to enter.

Entry Fee: $30 for up to 3 entries
Entry Deadline: November 16, 2009

Prospectus and entry details can be downloaded at: www.mfah.org/glassell
or: http://www.mfah.org/pdf/SNAG2010_CALL_FOR_ENTRIES.pdf
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SNAG Student Exhibition
Call for Entries - DEADLINE EXTENDED to NEW: NOVEMBER 25, 2009 !

Student Exhibition and Presentation to be held in conjunction with the
2010 Society of North American Goldsmiths Conference

No Boundaries
SNAG Annual Juried Student Exhibition
Glassell Jr. School, Museum of Fine Arts Houston
&
A Presence of Thought
SNAG Juried Student Work Digital Presentation
Presented during the SNAG conference

Deadline to receive all entry materials (for both exhibitions)
DEADLINE EXTENDED to NEW: NOVEMBER 25, 2009 !

Please note this is NOT a postmark deadline.
Entries received after November 25, 2009 will not be considered.

November 25, 2009 – All entries due
January 8, 2009 – Notifications emailed
February 8-12, 2010 – Artwork received
March 13, 2010 – Exhibition closes
March 14-21, 2010 – Artwork returned


No Boundaries
SNAG Annual Juried Student Exhibition
DEADLINE EXTENDED to NEW: NOVEMBER 25, 2009 !

We now exist within a field awash with extremes—political views, concepts, scale, use of materials, technology, traditions, styles and beyond. This year’s exhibition will have a strong emphasis on student works that push the limits, play with extreme contrasts and provoke intense reactions—NO BOUNDARIES! Works selected will convey a wide range and combination of format—from wearable, functional and traditional forms to conceptual and installation based projects. In addition, it will show our long-standing commitment to the promotion of promising, enthusiastic and visionary students.

Jurors
Lena Vigna and Brigitte Martin
(Direct all question regarding No Boundaries to: Gary Schott at gschott@swschool.org. All inquiries must have your name written in the subject line.)

****

A Presence of Thought
SNAG Annual Juried Student Digital Presentation
DEADLINE EXTENDED to NEW: NOVEMBER 25, 2009 !

How many times have we seen images of jewelry, objects, or installations and wondered: “How does it look on the body?” or “How does this object relate to an environment?” or “Is that the ideal space for this installation?” Work is often documented against a neutral backdrop. Without context, vital information maybe lost; for example, a ring on a hand provides a different experience for the audience. For this digital presentation, to be shown on screen during the 2010 Conference, artists should submit representative images of artwork in the context of its intended use/environment as well as utilizing a typical formal backdrop. Students from across the country are challenged to experiment with the many possibilities of presenting their artwork to the field and beyond – making the audience laugh, ponder, or possibly shed a tear.

Jurors
Janna Gregonis, Veleta Vancza and Jonathan Wahl.
(Direct all question regarding A Presence of Thought to: Arthur Hash at arhash@gmail.com. All inquiries must have your name written in the subject line.)

Eligibility
All students under the direction of faculty in any North American degree/diploma/certificate-granting institution are welcome to apply. Up to three original artworks can be submitted and must have been created during the 2008 - 2009 academic years. Applicants must be 18 years of age or older. Artworks included in previous SNAG student exhibitions and/or created before the 2008-2009 academic years are not eligible. Students must provide the name(s) of metal faculty teaching at their institution. SNAG membership is not required.

Entry Procedure
Work submitted for the exhibition must be available from January 8 – March 31, 2010. Artists may submit up to three original artworks and can include a detail shot for each artwork submitted.

Digital images of artworks and a completed entry form are to be saved on a CD and submitted by mail along with a $25 non-refundable entry fee (see instructions below). If applying to both shows, you must burn two CDs and send one to each address below. Checks must be made out to: Society of North American Goldsmiths. Applications received without payment will not be reviewed. All artwork submitted for the No Boundaries exhibition can also be submitted for consideration for the A Presence of Thought, SNAG Juried Student Digital Work presentation without an additional fee. However, only THREE ARTWORKS IN TOTAL CAN BE ENTERED.

Entries for both No Boundaries and A Presence of Thought should be submitted on the same application form. If work is being submitted ONLY for the No Boundaries exhibition or A Presence of Thought, please mark the appropriate box on the application form. If submitting to both shows, please complete two separate applications and CDs of images for each show. Mail each application to the appropriate address. If applying to both shows, you may send the $25 check to either location. Notification of jury results and shipping instructions will be sent via e-mail.

DETAIL ENTRY INFORMATION:
http://www.snagmetalsmith.org/Events/Upcoming_Deadlines/
DEADLINE EXTENDED to NEW: NOVEMBER 25, 2009 !

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Houston Community College presents:

Retro-Futurism: Exploring Objects Interpreting Both the Past and Future.
March 8- April 9, 2010

This Juried Exhibition of works will explore historical or traditional styles of metalworking objects and jewelry and reinterpret them into a contemporary context through materials, design, or function.

This exhibition will be part of the official Gallery Night Tour at the 2010 SNAG Conference, Going to eXtremes.

Pieces selected for the show will be featured in a podcast and will be available for free through the College’s ITunes U site. For this reason those entrants selected by the Jurors must be willing to allow use of the images of their pieces sent for consideration. Additionally, artists may be contacted for interviews for podcasts or QuickTime video.

For more information and to download a prospectus please go to:
http://cc.hccs.edu/gallery/index.html

Timeline:
Materials due: November 30, 2009
Notification: January 2, 2010
Delivery due by February 1, 2010
Exhibition: March 8-April 9, 2010

http://cc.hccs.edu/gallery/RetroFuturism.pdf

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Award-winning publication Metalsmith is included in SNAG membership or available by subscription.


Inspirational, innovative, and thought-provoking
Fascinating articles, intriguing artists,
Engrossing guest columns
Captivating exhibition and book reviews
Illustrated throughout with gorgeous images of stunning work
Stimulating intellectual and visual interest

Discussion Forum

Nathan Poglein

Cool Costumes!

Anybody making their own cool costume for Halloween? Post some pics.

Started by Nathan Poglein Oct 29.

Diane Falkenhagen

SNAG 2010 Conference, Going to eXtremes 1 Reply

Join us for the 39th annual conference of the Society of North American Goldsmiths in the heart of downtown Houston. Thought-provoking presentations and inspiring exhibitions will explore forms of ...

Tagged: conference, 2010, Houston, SNAG

Started by Diane Falkenhagen. Last reply by Diane Falkenhagen Aug 14.

Danielle Miller-Gilliam

To SNAG or not to SNAG, that is the question... 18 Replies

I originally posted this on my blog, however Brigitte thought it should be brought into this forum to encourage discussion...so here goes! ------------------------------------- To SNAG or not to SN...

Tagged: professional, vs, academic, Metalsmith, SNAG

Started by Danielle Miller-Gilliam. Last reply by Chihiro Makio Jul 29.

Timothy McMahon

VOL.29 No.3 3 Replies

I just read through the the latest Metalsmith (or at least the parts I was interested in,) I'm always wishing I get a little more life out of it before I stow it away on my shelf, so I'm sharing so...

Started by Timothy McMahon. Last reply by Michelle Pajak-Reynolds Jun 26.

Brigitte Martin

Future SNAG Conferences - Suggested Topics to discuss 5 Replies

2010 SNAG Conference, "Going to Extremes," Houston, TX, March 10-13, 2010 Please post your ideas on topics you would like to see discussed during this or another upcoming SNAG conference. Thank ...

Tagged: Discussion, Houston, Conference, SNAG

Started by Brigitte Martin. Last reply by Harriete Estel Berman Jun 9.

Comment Wall (22 comments)

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22 Comments

Robert Longyear Comment by Robert Longyear on October 19, 2009 at 2:19pm


no f-ing way!
Robert Longyear Comment by Robert Longyear on October 19, 2009 at 1:35pm


images from slouis fashion week + plastic jewelry up on the blog.

www.flypigeoncamp.blogspot.com
Paul Bierker Comment by Paul Bierker on August 25, 2009 at 10:49am
Well really the 50/50 split is quite normal even in the commercial market- Many MFGrs offer merchandise on memo which is also consignment- as artists we are lucky to have proactive galleries who will promote your work as well as take a vested interest in YOUR story as an artist to sell it- Now if a gallery takes your merch and does not promote you or keeps you in a box out back then the heck with them.

Here is a link to one of my spreadsheets to help you price better-

http://www.box.net/shared/yat8qy7upi

The password is "snag" no quotes- I will add useful stuff when I can.

As an artist you really need to Key or double your material cost- also 20-25.00 is rate for your time- If you are just learning it would be less of course. The Key is finding your market. If I knew a gallery would sell out my range every time, I'd price it 70/30 shoot if they are gonna sell it-
30% of a few hundred grand is better than 50% of 50 grand

I'd rather be makin stuff and talking about makin stuff.

P
2Roses Comment by 2Roses on July 13, 2009 at 5:15pm
Some very good thoughts coming out in this discussion. We like to think of our galleries as business partners. As such, each of us has a responsibility to perform a certain range of tasks that contribute to the success of the business (ie selling art). If each partner performs their responsibilities professionally and diligently, we have no problem with a 50-50 split. Our partners have earned their share. The point is not to focus on price or commission split. Focus on performance. Galleries cannot control prices any more than the artist can. Working with the gallery to determine pricing levels is part of the process.

Are we, as artists, being proactive with our gallery partners to suggest and explore different business opportunities and relationships to try and take advantage of the changing landscape? In short, have you talked to your gallery lately and had this discussion with them?
Hershal Wiggins Comment by Hershal Wiggins on July 13, 2009 at 1:38pm
The question is not so much do we need galleries, but how long will we need galleries or for that matter how long will they need us. Many galleries had a very bad year and many more are no longer in business. This is just my point of view, but I think the function of galleries needs to change. The galleries have the people and we have the art and talent. In the word of CAD-CAM we can do more commission work than ever before. The true beauty of galleries is the commissions that they can get us from the cliental they have. I think it would be great if a client saw my work in a gallery and decided that they like it but they wanted something more personal. At a prearranged time they come to the gallery and I design or show my ideas on the computer right before the client, of course they would have to pay for my time as well as the gallery regardless if they accepted the work or not.
As for the 50/50 issue, why is it that we are always trying to come down on our prices, I say, charge what you want, including profit and shipping and if the gallery thinks they can except it than great, if not, sell it on line at YOUR price without the markup. Materials cost too much in today’s times to have our work decorating gallery walls and alter, yes.
Do we need galleries I would like to think that we do, just as much as we need libraries in an internet age? It was gallery owns that gave me the inspiration to continue my craft, I would hate to lose that for the next generation that comes along, BUT things will have to change.
As artist we need to stop making money a taboo word of evil and start looking at some to the advantages for the next and now artist, which truly need our help in exploring and expanding the realms of our craft.
Just a thought.
Deb Karash Comment by Deb Karash on July 13, 2009 at 12:43pm
Selling work strictly online is a tough way to sell. If you do shows you have to figure all of your show costs which include booth, power, displays, travel, food, and time out of the studio. That can often equal the 50% that the gallery makes. I like to to a little bit of everything and I'm careful not to underprice my galleries, ever. I have a website but it's not a sales gallery. I sell on the web through established web based galleries which I view as being the same as a brick and mortar gallery. A gallery spends a lot of time and money marketing, displaying, and selling work. I'm happy to pay them to do that.
Linda Lankford Comment by Linda Lankford on July 13, 2009 at 12:29pm
Hmmmm, you can do everything in your power to lower cost, but the bottom line will still equal your cost - the amount you double. In the end the percentage for your profit does not change. Unless you figure your cost at an inflated rate.
arthur hash Comment by arthur hash on July 13, 2009 at 11:49am
I agree with Gary. Maybe you just have to find the right gallery for you or maybe you just have to work differently. Which $50 could you cut down? Maybe think about how you make things. Is there a way to lower your overhead? Use flat rate shipping or reduce your materials by buying scrap metal instead of new? Its just a thought. We all need to adapt but I don't think that cutting out the galleries is something we should even consider.
Gary Schott Comment by Gary Schott on July 13, 2009 at 11:31am
As a maker I understand the natural concern of the 50/50 cut but I think the idea is that you should be looking to work with a gallery that works for you...that 50% should be earned ...by cultivating connections to clientele/collectors appropriate for your work/prices, advertising/marketing (web, postcards, etc.), featured artist/exhibitions, and bringing your works in-person to a community audience that you do not have immediate access to necessarily...if a gallery doesn't do this for me, then I guess I question whether I should be working with them, regardless of their percentage cut.
noel leicht Comment by noel leicht on July 13, 2009 at 11:13am
Speaking of galleries.......I, for one, have a hard time justifying the 50/50 split with galleries. If an artist invests $50 of materials in a piece of work, adds $50 for labor (at the rate of $5 bucks an hour : ( ; adds $50 for overhead (electric, rent, etc.); and $50 profit, artist cost of piece would be $200. When the gallery doubles the price to $400....the maker most likely is priced out of the market! But what tips the scales is that I really only take home $150 because of my cost of materials. The gallery has just posted a higher take than the artist....and I even paid shipping!
 

Members (178)

Harriete Estel Berman 2Roses Nathan Poglein Danielle Miller-Gilliam Brigitte Martin Michelle Pajak-Reynolds Diane Falkenhagen Thea Clark Deborrah Daher emiko oye christine bossler rachel timmins Deb Karash Twigs Tina RAth Aran Galligan Chihiro Makio Timothy McMahon Robert Longyear Michael David Sturlin Lori Meg Gottlieb Janet Huddie Melanie Greenberg Stevie B. James Thurman Wendy McAllister chelsey radabaugh Umut Demirguc Allison B. Gary Schott
 
 

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