PARTICIPATORY SPORT FOR CRAFT ARTISTS
I use liver of sulphur to turn my silver jewelry black (gunmetal gray really) while not affecting the gold settings. Many people have come up to me at shows mentioning that I could plate the jewelry in Rhodium that is black and which would be much more permanent. Does anyone have some insight, resources or a general yes you can do it or definitely not...regarding this process?
Permalink Reply by The Justified Sinner on November 30, 2011 at 1:38pm You certainly can! You can either buy Black Rhodium salts from a supplier (Otto Frei stock it: http://www.ottofrei.com/store/product.php?productid=20145&cat=0...) or you can use a really old Rhodium bath that has become dirty and overheated! Obviously, the bought stuff is reliable.
I also found this ages ago:
http://www.patentgenius.com/patent/4486513.html
Which might help.
Permalink Reply by Alison B. Antelman on November 30, 2011 at 1:52pm wow, I never knew...is it just a bath? somehow I thought plating always involved electricity.
Have you ever used this?
thank you.
Permalink Reply by Ann Davis on November 30, 2011 at 2:47pm I've only used Rio's Flat Black, which is probably a Midas solution, on gold. it antiques it. I always use a rectifier.
Never thought about trying it on Silver but I would guess as with gold plating on sterling you should put down a layer of nickle first. If it's fine silver then there shouldn't be a problem with copper migration. But it comes off with rubbing so you would need to seal it. Have you tried Midas Black Max? I hold my pieces under the hottest running water possible to heat them up then apply..it's wonderful stuff, no need to seal.
Permalink Reply by Angela Bubash on December 3, 2011 at 12:41pm I have been researching this exact process! I have been told that ruthenium plating may be a more durable option from Dave at artisanplating.com. I have also found a place in the UK that does both black rhodium and ruthenium but I haven't heard back from them yet. I am going to send a small sample to Dave to see what he can do. I will keep you posted.
Permalink Reply by Alison B. Antelman on December 3, 2011 at 12:48pm when you get your samples if you don't mind posting pictures, I'd be very interested to see the results.
thanks,
alison
Permalink Reply by Angelina Ciulik on August 1, 2012 at 11:00am
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
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Ford/Forlano Art Jewelry replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
Brigitte Martin replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
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Jennifer Dewey liked John Lunn's group Tapestry of Talents: Bringing Your Whole Voice to Your CraftShowing Publicly and Building a Legacy Privately
- by Rebecca Rose. 2013, SNAG/crafthaus Scholarship Recipient
For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist and maker.
Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!
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