PARTICIPATORY SPORT FOR CRAFT ARTISTS
A group where you can post your bench problems and issues for discussion and comment.
It's open and can be used to ask technical questions or post solutions, tips or ideas which you think might be of use to other members.
Members: 192
Latest Activity: May 15
This group came about through discussion with another member of Crafthaus as a direct result of my own technical blog posts, showing works in progress. Although I am going to use this group as a form of blog for technical matters, notes about what I've been up to in the workshop and that sort of thing, the intention behind the group is to be a forum to talk about anything technical, from the user reviews of equipment to favourite techniques to asking for help and advice from other Crafthaus members.
Initially, this group is not moderated and it will stay that way if everyone remains civil, which I am pretty sure they will: Crafthaus doesn't seem to attract the uncivil!
The reason that I thought this group to be such a good idea is that I am primarily a maker; I'm bench-trained and have been making jewellery for over 30 years, thus have a large range of experience which I can offer to others, conversely, when something goes wrong for me, I am not too proud to ask others for help.
Here are a few images from my own workshop.
How to use this group.
Post your questions or tips as a new Discussion. Try to tag the discussion with appropriate keywords so that the it becomes searchable in the future.
Reply to questions or add to tips in the "Reply to this discussion" field below each discussion topic.
Feel free to praise, argue, comment, agree... so long as it stays respectful!
Started by Sean Macmillan. Last reply by Jim Binnion Mar 31, 2012. 4 Replies 0 Likes
Hey Folks,Due to the obscene shipping cost of casting investment, I'm considering trying to mix up my own using a recipe similar to our sculpture casting investment (Plaster, Silica and some sort of refractory). Has anyone attempted this? What…Continue
Started by Alison B. Antelman. Last reply by Angelina Ciulik Aug 1, 2012. 6 Replies 0 Likes
I use liver of sulphur to turn my silver jewelry black (gunmetal gray really) while not affecting the gold settings. Many people have come up to me at shows mentioning that I could plate the jewelry in Rhodium that is black and which would be much…Continue
Started by Warren and Robbin. Last reply by Alison B. Antelman Nov 30, 2011. 3 Replies 0 Likes
Hi, Two sets of my little torch hoses have developed perforations their whole length. Both the oxygen and the LPG.Oddly enough their customer service won't answer my emails. All I'm asking is what in our shop environment eats the hoses? I am…Continue
Started by The Justified Sinner. Last reply by The Justified Sinner Nov 30, 2011. 12 Replies 0 Likes
Any tips for removing investment residues post-casting?I have just cast a large torus form which is hollow and has only small openings. The whole piece is full of investment, of course. I've tried using the ultrasonic but that hasn't done much.…Continue
Comment
I don't know anything about Maine, but I hear that Racecar Jewelry in Rhode Island does a great job.
Comment by Laura Wood on August 15, 2011 at 12:16pm Help! I have a couple bands that I need to have cast in gold, I usually use Maine Precious Metal Casting but am having trouble contacting anyone there. I am concerned because they used to have a web page too but that seems to be non existent now. Does anyone have any suggestions for a casting company that will do a fantastic job on this??? I need to have these sent out asap so I am in a nit of a bind.
I would think the expiry issue for paste fluxes would be the oxidation of the solder.
I've enjoyed sheet solder with a pick for gold work and the powder for filigree, but for my silver I generally find wire solder most convenient to clean, mill, cut, etc (an ancient pair of reliable craftsmen flush sidecutters). Especially on bezels where I try to keep the solder on the outside so it's easier to clean up and won't interfere with the fit of the stone/etc. I don't have the hang of stick feeding, I tend to stick with a longer setup and tiny pieces placed with tweezers.
Comment by Ann Davis on March 23, 2011 at 4:01pm
Comment by Ann Davis on March 23, 2011 at 3:53pm
Comment by The Justified Sinner on March 23, 2011 at 1:49pm I hate paste solder and ban my students from using it; I also make them all roll their strips out to thin them, hence encouraging them to use less, so a marvellous suggestion from Kathleen!
In my experience, the paste solder dries out too quickly and if you try to use it with flux, it just makes a mess. Additionally, the strength is nowhere near as good as with strip or wire solders.
I have used paste solder - don't tell my students! - to "fake" granulation quite successfully... dissolve the paste in a little water and gum tragacanth - it doesn't really dissolve but does form a suspension - then roll the granules in this, assemble the piece and fire.
Comment by Kathleen Brughelli on March 23, 2011 at 1:36pm
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
Cheryl Eve left a comment for Brigitte Martin
Vicky Saragouda liked Poppy Porter's blog post Down to the Waterline – “Stain-Less” in Sheffield
Vicky Saragouda commented on Vicky Saragouda's blog post Contemporary Jewellery @ COLLECT 2013
Jennifer Dewey left a comment for John LunnShowing Publicly and Building a Legacy Privately
- by Rebecca Rose. 2013, SNAG/crafthaus Scholarship Recipient
For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist and maker.
Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!
© 2013 Created by Brigitte Martin.
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