Wood as Art-Featuring Tables

Information

Wood as Art-Featuring Tables

See leading furniture artists concepts of what constitutes a table. The fine examples shown cover a broad spectrum of design, style, technique and materials. Curators: Glen and Marie Guarino

Website: http://crafthaus.ning.com/group/woodasartfeaturingtables
Location: online August 25- September 25,2009
Members: 12
Latest Activity: Feb 20, 2012

Artist: Ross Annels
Title: Butterfly Table
Materials: Queensland Black Bean (planks from buttress) and Australian Red Cedar with turned Silky Oak.
Dimensions: approx. 390mm *750mm *720mm
Artist Statement: This piece is the result of a commission for a coffee table for the Mayoral Offices of the Sunshine Coast Regional Council.
Designed and made by Studio of Ross Annels by Ross Annels and Scott Pilkington



Artist: Ross Annels
Title: Walking Table
Materials: Steam Bent and solid Silky Oak (lacewood)
Dimensions: approx. 760mm *400mm *400mm
Designed and made by Studio of Ross Annels by Ross Annels and Mark Heslop



Artist: Cosmo Barbaro
Title: Cantilever Desk
Materials: Pommelle Sapele, Mahogany, Maple, Ebony, and Fiddle Back Maple.
Dimensions: 48" x 24"x 30"h


Artist: Cosmo Barbaro
Title: Transistor
Materials: Fiddleback Maple, Milk Paint, and Aluminum
Dimensions: 48"x 16" x 17"h


Artist: Cosmo Barbaro
Title: Juice
Materials: Fiddleback Maple Birdseye Maple, Wenge, and Aluminum
Dimensions: 16" x 16" x 30"h
Artist Statement: Beauty and elegance are goals that I try to attain with each new design. The work has a classic feel that is influenced in part by Art Deco artists and my everyday experiences in life. This combination of classic and modern qualities creates a type of modern Art Deco furniture.



Artist: Brian Ferrel
Title
: Bedside Tables
Materials: Padauk and painted wood
Dimensions: 14" x 14" x 21"h
Artist Statement: With only a shadow for a base, these reflectively symmetrical bedside tables are complementary identical and opposite.


Artist: Brian Ferrel
Title: Cabled Coffee Table
Materials: Padauk, painted wood,and Steel Cable
Dimensions: 36" x 38" x 16"h
Artist Statement: Pressure from the legs of this cantilevered coffee table appears to push into the table surface.



Artist: Earl Kelly
Title: Leaf-Cocobolo
Materials: Cocobolo veneer over Mahogany
Dimensions: 52" x 16.5" x 31"
Artist Statement: The top is very sculpted with only 10" that is flat. I wanted it to still be used as a table, but allow the shape and beauty to be seen.


Artist: Earl Kelly
Title: Midnight Sky Arrival
Materials: Solid Wenge, Blue Birds Eye Veneer over Wenge,and Walnut
Dimensions: 50"W x 16"D x 31.5"tall
Artist Statement: The center section was cut down and hand shaped. The design came from a Ladybug and how it looks when it's shell/wings are slightly opened.



Artist: Pat Morrow
Title: Henry
Materials: Siberian Elm and Hard Maple
Dimensions: 17 ½"H x 45"W x 21"D
Artist Statement: Sculptor Henry Moore inspired the coffee table/bench. Visual interest is in the negative spaces as well as positive shapes.

Artist: Pat Morrow
Title: Leaf Table
Materials: Butternut
Dimensions: 32H x 52"W x 14"D
Artist Statement: Beautifully carved oak leaves surround this decorative sofa table. The leg shape is sensual and flows with the leaves to visually connect the top.


Artist: Pat Morrow
Title: Cattail
Materials: Genuine Mahogany
Dimensions: 23"H x 22"W x 22"L
Artist Statement: A modern take on Arts & Crafts, this table is designed to be interesting from front or back. The tabletop shape is perfect for sweeping curved armchairs and sofas.


Artist: Katherine Park
Title: Mission
Materials: African mahogany
Dimensions: 18"H x 60"W x 15"D
Artist Statement: Ultimate goal of mission is to spread the good News. However this will not happen until Love of God is practiced first to begin a healing process.


Artist: Katherine Park
Title: Reserve the seat in the house of the Lord
Materials: Mahogany and Hard Maple
Dimensions: 18 ½"H x 56 ¼"W x 21"D
Artist Statement: The bench depicts this world where there are just frames of chairs without seats vs. reserving the seats in the Kingdom of God.


Artist: Katherine Park
Title: The Kingdom Will Come
Materials: Curly Maple and Walnut
Dimensions: 35 ¼"H x 34 ½"W x 24"D
Artist Statement: At the Day of Judgment only words of God will remain where everything will be tumbling down.



Artist: Norman Pirollo
Title: Hall Table
Materials: Mahogany, Sapele, and Aluminum
Dimensions: 37"H x 44"W x 14.5"D
Artist Statement: Mixed media designed console style hall table with a floating top, extensive use of metal combined with contrasting dark mahogany in a contemporary styling.


Artist: Norman Pirollo
Title: Trinity 1
Materials: Flame Birch, Cherry, Maple, and Aluminum
Dimensions: 24"H x 22.5"W x 28"D
Artist Statement: Mixed media designed side table with uniquely attached top. The top is highly figured, and the use of metal creates a contrasting contemporary style.


Artist: Thomas R. Skaggs
Title: Rocky Stream
Materials: Curly Cherry, ebonized legs
Dimensions: 72"L x 30"W x 19"H
Artist Statement: The figure of Curly Cherry for the top of this table is reminiscent of waves through water. That inspired me to create a symbolic flowing stream with carved relief and turned burl woods to look like rocks in a stream.

Artist: Thomas R. Skaggs
Title: Wolf Eyes
Materials: Curly Cherry, burl Carpathian Elm, and Ebony
Dimensions: 68"L x 28"W x 30"H
Artist Statement: A client's contemporary painting of a wolf inspired the Wolf Eye table. Each end of the table has burled wood areas shaped like wolf eyes. The shape was carried through with the table's lower shelf.


Artist: Tony Williams
Title: Elements Fire
Materials: Ebonized White Ash legs and top frame with solid Padauk top,inset and leg stretchers.
Dimensions: 54"L x 22"W x 19"H


Artist: Tony Williams
Title: Elements Water
Materials: Solid Cherry legs and top frame, with ebonized White Ash leg stretchers, quilted White Ash inset. Ebony and Padauk Koi inlays.
Dimensions: 35"L x 30"W x 16.5"H


Artist: Tony Williams
Title: Tokyo Autumn
Materials: Flame Birch Top, Black Walnut, Padauk, Spanish Cedar, and Maple leaf inlays. The base is Western Red Cedar faux finished to look like stone.
Dimensions: 48"L x 24"W x 16"H


Artist: Michael Yonke
Title: Humilitas Table
Materials: Reclaimed old growth longleaf heart Pine and Oak, semi-transparent oil color. Varnish.
Dimensions: 56" x 22.5 x 18.5"
Artist Statement: I advocate for nature and sustainability by design through my eco-art wall sculpture and furniture. I reclaim, repurpose and upcycle wood and metal to create my designs.


Artist: Michael Yonke
Title: Praecuis Table
Materials: Reclaimed wood, composite materials. Black, white and clear lacquer.
Dimensions:32" x 32" x 19"
Artist Statement: Praecius Table is based on a precise design by strictly conforming to a natural pattern. The set of concentric black and white square conform to a Fibonacci series also found in nature like branches of a tree, petals of a flower and the spirals of galaxies.


About the Curators: Glen Guarino, Guarino Furniture Designs has a MA in Studio Furniture. He taught on the high school level for 32 years & has been an adjunct professor in the Fine Arts School at William Paterson University since 2001. He has been designing & making furniture since 1978. Some of his recent publications are in Fine Woodworking, 500 Tables by Lark & Studio Furniture from Today's Leading Woodworkers by Schiffer Books. Glen has also been the subject of several articles & has appeared on TV. He exhibits in galleries and museums. Marie has been helping Glen with his business for a number of years as his art agent...

Title: High Society
Materials: Ebonized Sapele
Dimensions: 29"tall x 36"wide x 1 ½"deep


Title: Allegro
Materials: Red Oak
Dimensions: 54 ¼"tall x 21"wide x 16"deep


Title: 5th Avenue Armoire
Materials: Curly Maple and Shedua
Dimensions: 80"tall x 68"wide x 26"deep




Discussion Forum

When is Furniture Art?

Started by Glen Guarino Aug 16, 2009. 0 Replies

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Comment by Michael H Mara on October 11, 2009 at 8:34am
Unbelievable. Some truly stunning wood work. Huzzah!
Comment by marcus marguillier on September 6, 2009 at 11:10am
My sincere compliments to all participants of this exhibition!
Great work. Stunning.
Comment by Brigitte Martin on August 25, 2009 at 11:28am
Thank you so much to Glen and Marie Guarino for all the hard work you put into assembling this show. The resulting exhibit really speaks for itself !
Amazing !
Comment by Stevie B. on August 20, 2009 at 10:31am
What incredible work. What great art.

On a side note: The tables in my house have clustered in a corner of the dinning room, trembling, and mumbling something about "garbage day".
Comment by 2Roses on August 20, 2009 at 9:38am
What a spectacular collection of woodworking. There is no excuse for mundane furniture.
 

Members (10)

 
 
 

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

OFF TO THE RACES:

Rachel and Brigitte got started on their own cooperation. Follow along and comment.

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The Justified Sinner commented on Brigitte Martin's blog post Marine Life in Glass - Leopold and Rudolf Blaschka
" I saw the flowers and plants in Boston. These are incredible works and really have to be seen to be appreciated. I wish I had been able to see the animals."
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Co:Operation GARNISH

Can the metal and jewelry field overcome its division and send out a much-needed signal?We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making! Arriving at this message is the goal of this exhibition cooperatively arranged by Rachel Timmins and Brigitte Martin.Please join this group to stay informed !! This is the official exhibition blog.See More
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Behind the Brooch part 2

I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
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Instill - Material Matters 2014

  INSTILL-material matters “The year’s end is neither an end nor a beginning, but a going on, with all the wisdom that experience can instill in us.”  Hal Borland The School of Jewellery at Birmingham City University presents the thesis work by students of the MA in Jewellery, Silversmithing and Related Products course. The show celebrates the achievements of a group of exceptionally diverse individuals, with each piece on display offering an unexpected adventure through material that…See More
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Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK

INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.

Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!

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