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Signature Work

Signature Work... a distinctive piece representing our body of work that identifies us as artists.

Members: 69
Latest Activity: Jan 14



About the Curator:  Pat Morrow/Trail Mix Studio is a studio furniture designer/maker in Evergreen, Colorado and teaches woodworking at Red Rocks Community College in Denver, CO. Pat's work is in homes across the U.S. and can be seen at trailmixstudio.com.

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Comment by Pat Morrow on April 17, 2012 at 11:37am

OK, would anyone want to participate in a Part 2 of "Signature Work"? If there is interest I'm willing to do another version of this show.

Comment by Sandra Murray on April 7, 2012 at 5:37am

Some very interesting and creative pieces of work! What an inspiring display. :)

 

Comment by Roger Rimel on March 27, 2012 at 10:08pm

All wonderful work,I had the opportunity to see Kate Kretz's work at the Belger in KC,amazing.

Comment by Sabiha Mujtaba on March 27, 2012 at 8:47pm

I'm finding inspiration in all the artist's descriptions. I know I'll keep coming back here to reflect and pay deeper attention to their work. Thank you Pat for letting us all share our work in this format. Great diversity of work and thought.

Comment by Alison B. Antelman on March 27, 2012 at 1:18pm

Great Job and really nice variety..thank you.

Comment by Rameen Ahmed on March 27, 2012 at 12:18pm

Also, wanted to add that in the general evolution of my work it was SOOO HARD to pick one Signature piece!! LOL.

Comment by Rameen Ahmed on March 27, 2012 at 12:17pm

Thank you, Pat, for putting together an amazing diversity of pieces in the show!  Very humbled and delighted to be in such great company!!

Comment by Brigitte Martin on March 27, 2012 at 12:04pm

Folks,


Pat reported that there have been a few comments from people who would like to still include their work in the current online exhibition because for one reason or another they missed the call the first time around. Sorry, guys. This exhibition is curated and there will be no additions at this point. However, since this topic seems to be quite popular here, just like the Studio Sanctuaries were a while back- maybe, if Pat is up for it - we can do a second run of “Signature Work” a few months down the road?

Anyone who is interested, please get in touch with Pat directly via her page, she can take it from there.


BTW: All current calls are always listed in the crafthaus online exhibition group, and everyone who signs up in that group will get every new call emailed to them automatically as soon as they get posted. I also extensively feature all calls on the crafthaus main page (left side) and in the weekly "what's new" emails sent to every crafthauser with plenty of room to meet the deadline. There really are a bunch of chances to catch these calls but I do understand that things can fall through the cracks sometimes. My suggestion therefore: Check the crafthaus online exhibition group regularly!

Glad you are enjoying these exhibitions so much! They are meant to be fun for all!!

Comment by Thea Clark on March 27, 2012 at 11:38am

Pat you did a wonderful job. It is good to see so many media represented.

Comment by Alison B. Antelman on March 26, 2012 at 4:23pm

Harriete...My statement was edited so it does not explain that I grew up just outside NYC and had always been influenced by and loved the city. There is also some brief description of how the work is made...hand fabricated, not cast.

 

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2014 Crafthaus Project Grant Recipient

Crafthaus is pleased to announce that Leisa Rich's project "Invisible:VisAble" garnered 968 votes of 2,575 total votes cast (37.59%) and is the 2014 Crafthaus Project Grant Winner.

Starting in November, we all look forward to following Leisa's crafthaus blog about her project.

Thank you to everyone who voted. Much success for all projects!

View all voting results.

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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