"Looking forward to viewing the submissions for the 2014 Touchstone / Crafthaus Workshop Scholarship. Last year's jury duty was super fun, but also excruciatingly difficult (as expected). We have a great line up of workshops this year,…"
"JM, sorry it's been corrected. It's a 9am start time. Just click on the Alchemist Picnic title in the event description or click here to learn more. The fee for the weekend is $70 which includes meals. The only add on depends on the…"
Thanks for making the connection. If you ever feel like coming up to Northern Pennsylvania, please look me up. I'd love to show you around the art department here and introduce you to the other artists in the area. - Cappy
Hi Adam, good to meet you, I appreciate you reaching out to make a connection with me (and other regional artisans). I will check in to see what is going on at Touchstone & feel free to send any info my way. ~Laura
The blue steel is reclaimed material...it was part of a mechanism that would be picked up with a tow motor and used to tilt/pour a 55 gallon drum. I cut the useable pieces of steel out, worked the surface, drilled holes/filed them square/rectangle, etc. The other elements of the boxes are forged from reclaimed material (spline gears, etc.) as well.
Yes, I would be interested in teaching a workshop at Touchstone. I've taught at Penland, Peters Valley and Haystack...and I'm on the board of Haystack School. I've heard many positive things about the studios at Touchstone. Hopefully, we can work something out.
Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!