"Wonderful to hear from such a vibrant presence in the craft community! I can't wait to have a closer look at your previous exhibitions. They sound amazing. My clumsy fingers muddled the original friend request, so I sent it back to you. I hope…"
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
I am a .... Example: Student, Maker, Educator, etc.
maker, a sometimes educator and a graduate from the School of The Art Institute of Chicago, (MFA Studio, Designed Objects 2009).
Previously I was a resident craft artist at the Harbourfront Centre for the Arts in Toronto.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!