Ayse Kozaci

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Ayse Kozaci joined Pat Morrow's group
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Signature Work - Part 2

Signature Work... a distinctive piece representing our body of work that identifies us as artists.See More
Sep 16, 2013
Ayse Kozaci joined Begoña Prats's group
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Joyas Sensacionales (Sensational Jewellery)

Collective of Contemporary Artistic JewellersSee More
Sep 16, 2013
Ayse Kozaci posted photos
Dec 11, 2012
Brigitte Martin liked Ayse Kozaci's photo
Mar 31, 2011
Tom McDowell liked Ayse Kozaci's photo
Mar 11, 2011
Kathleen Faulkner liked Ayse Kozaci's photo
Mar 11, 2011
Ayse Kozaci posted a photo
Mar 11, 2011
Marta Miguel Martínez-Soria commented on Ayse Kozaci's photo
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heartree

"i love this one too , thanks"
Jan 11, 2011
Ayse Kozaci posted photos
Jan 11, 2011
Brigitte Martin commented on Ayse Kozaci's photo
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cork_board

"Good one ! :-)"
Oct 28, 2010
Ayse Kozaci posted a photo
Oct 28, 2010

Profile Information

Where do you live ? City, State and Country
San Francisco Bay Area
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Studio
I am a .... Example: Student, Maker, Educator, etc.
student, maker, designer
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://aysekozaci.com
What media do you work with?
recycled materials

Comment Wall (3 comments)

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At 8:05am on December 4, 2012, Brigitte Martin said…

Thank you very much for your membership payment and support of crafthaus. Your membership is valid through December 15, 2013.

Enjoy crafthaus, participate often!

At 1:13pm on March 11, 2011, Kathleen Faulkner said…
Thank You, Ayse!  I love your work, too!  :-D
At 9:25pm on January 14, 2011, Tadashi Koizumi said…

Thank you Thank you !

Your stuff is so fun ! I truly enjoyed them !

 

Want to see more ring ring ring !

I love themmmmm !!!

Status

 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
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Harriete Estel Berman posted a status
"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
Monday
Harriete Estel Berman posted a status
"Craft World Sucks Like Vampires http://j.mp/1wBtHYH"
Monday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
Monday
The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
Monday
Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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