"Congratulations to all the folks selected for the Annual and a big thanks to the jurors. I love seeing the work being produced every year and I'm humbled to be a part of this collection -- the bar gets higher and higher! I look…"
"I am so inspired by the level of work in this show. I must have said WOW a hunred times looking through the photos. I can't wait to see the rest! Congrats to everyone. This is truly an amazing show of creativity."
"I love the sticker idea! Christine, I've been streching out my clay using Lisa's process -- saving me tons of cashola! So, Metal Clay Playhaus...sounds like a claymation rocker version of PeeWee's Playhouse..woohoo! We…"
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
I am a .... Example: Student, Maker, Educator, etc.
I am a studio artist working primarily in metal clay. I have been a professional artist for 30 years working as a graphic designer, video producer, and illustrator. I began in traditional mediums such as oil and water colors but moved to metal working in 2005. I currently manage a graphic design contract for NASA where I mentor a team of graphic designers, multimedia specialist and illustrators. I've been published in Art Jewelry Magazine July 2009 & 2010, November 2010, BeadStyle 2010, Fusion Magazine No. 7 & 8, PMC Guild Annual 2009 & 2010, and The Art of Metal Clay Calendar 2009 & 2010.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Welcome to crafthaus, the network for craft artists, and those who support them! I am very glad you joined us !
Please feel free to look around, meet friends, and start adding your thoughts to the groups, blogs and discussion forums that are posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in. Crafthaus is a participatory sport ! The more you put into it, the more you will get out of it, for sure.
Please note that crafthaus is both a fully edited and a member-financed website, meaning that a small annual fee ($20/yr or $35/2yrs) is involved in being a member here. You will find all the necessary information on how to go about this in the FAQs section of the site. Your membership fee is due on or before October 15, 2010 and is payable through paypal (preferred,) US check or credit card.
ALL images sent to the website editor will be vetted to assure some measure of overall quality control. Unlike other image sharing websites, crafthaus is not a "free-for-all". Members present their work in front of an educated and critical audience (their peers,) so the images have to be GREAT. Our goal is to show our members' work in the best possible light, and from the many images received daily, we try to post as many as possible. Crafthaus heartily encourages comments from the membership, however with regard to photos posted or not, we have a strict "NO WHINING" policy in effect ! If your photos do not get posted they are just not as good as they need to be. Yes, it's really that simple. Just reshoot and resubmit ! No harm done.
Finally, if there are ever any questions or concerns, please don't hesitate to email me via email@example.com anytime. I will do my best to be of help. I really hope you will enjoy being with this network, and will find the exchanges interesting and fun.
See more architecture and design movies at http://www.dezeen.com/movies
Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!