Clare Finin

Clare Finin's Photos

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Artist Statement

I am curious about the ephemeral nature of memories and the power they
seemingly have over us. How can objects from our childhood still overwhelm us as adults? How do they trigger the strong memories we have left of interactions, people, and events in our lives.

I work with family heirlooms, personal keepsakes, and found objects that activate a familiar feeling. I try to create representations of the memories that surround these objects and give a physical presence to these memory traces from childhood. I utilize the physical act of making as a form of remembering through employing traditional domestic techniques that were once commonplace in my family. Rope making, embroidery, and lace tatting help me remember and feel connected to my childhood and family that I have lost.  Like Victorian sentimental and mourning jewelry, I use my own hair as a material in my work.  It is with my hair that I become physically tied to those recollections I mourn.

 

Profile Information

Where do you live ? City, State and Country
Portland Maine USA
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Studio
I am a .... Example: Student, Maker, Educator, etc.
Student, Metalsmith, Human
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://clarefinin.com
Describe your media/materials you work with
fiber, jewelry, metals, mixed media

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At 12:45pm on August 31, 2012, Liz Steiner said…

Hey Claire! Great to hear from you and great to see your work! Have a great semester and let me know how the grad school search goes! Keep in touch!

 
 
 

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Showing Publicly and Building a Legacy Privately

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For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting  in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist and maker. 

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