Crista Reid's Friends

  • Hilary Sanders
  • Emi Grannis
  • Stefano Pedonesi
  • Montserrat Lacomba
  • Deborah Lozier
  • Harriete Estel Berman
  • Brigitte Martin

Crista Reid's Groups

 

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Crista Reid joined Mike Holmes's group
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Velvet da Vinci

Since 1991, Velvet da Vinci has been a leader in showcasing new developments in contemporary art jewelry and craft-based sculpture and regularly organizes exhibitions of contemporary craft.
Nov 20, 2013
Crista Reid is now friends with Stefano Pedonesi, Montserrat Lacomba, Brigitte Martin and 2 more
Nov 20, 2013
Stefano Pedonesi liked Crista Reid's photo
Nov 16, 2013
Brigitte Martin liked Crista Reid's photo
Apr 30, 2013
Crista Reid posted photos
May 3, 2012
Crista Reid and Harriete Estel Berman are now friends
Nov 28, 2011
Crista Reid and Deborah Lozier are now friends
Nov 23, 2011
Crista Reid is now a member of crafthaus
Nov 15, 2011

Profile Information

Where do you live ? City, State and Country
Fort Collins, Colorado, USA
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Studio jeweler and employee of Chessy Shay Jewelry
I am a .... Example: Student, Maker, Educator, etc.
art jeweler who just graduated with my Jewelry/Metal Arts BFA from California College of the Arts.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.cristareid.com

Comment Wall (1 comment)

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At 7:02am on April 30, 2013, Brigitte Martin said…

Thank you very much for your membership payment and continued support of crafthaus. Your membership is valid through May 15, 2014.
Enjoy crafthaus!

 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

Latest Activity

Profile IconSibel Akay and Heather Perry joined crafthaus
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Brigitte Martin posted blog posts
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Brigitte Martin posted a video

Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
yesterday
Lindsey Snell posted photos
Tuesday
Stefanis Alexandres liked Vicky Saragouda's photo
Tuesday
Stefanis Alexandres liked Vicky Saragouda's photo
Tuesday
Brigitte Martin posted blog posts
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Harriete Estel Berman posted a status
"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
Monday
Harriete Estel Berman posted a status
"Craft World Sucks Like Vampires http://j.mp/1wBtHYH"
Monday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
Monday
The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
Monday
Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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