Cynthia Tinapple
  • Worthington, Ohio
  • United States
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Profile Information

Where do you live ? City, State and Country
Worthington, Ohio
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
self-employed
I am a .... Example: Student, Maker, Educator, etc.
Editor/Publisher of PolymerClayDaily.com
Polymer clay artist. Retired webmaster
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://polymerclaydaily.com

Latest Activity

Cynthia Tinapple posted photos
Sep 8
Brigitte Martin left a comment for Cynthia Tinapple
"Thank you very much for your membership payment and continued support of crafthaus. Your membership is valid through September 15, 2014.Enjoy crafthaus!"
Sep 4, 2013
Rachel Rader and Cynthia Tinapple are now friends
Feb 17, 2012
Cynthia Tinapple and Emily Watson are now friends
Nov 18, 2010

Cynthia Tinapple's Blog

Opening Night

Posted on February 25, 2010 at 1:23am 0 Comments



Successful polymer artists Steven Ford and David Forlano's opening night presentation at Synergy mirrored their relationship. They easily bantered back and forth from opposite sides of the stage, building concepts in tandem and with good humor. They jibed each other about work habits and control issues while…

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Comment Wall (12 comments)

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At 12:31pm on September 9, 2014, Brigitte Martin said…

Thank you very much for your membership payment and continued support of crafthaus. Your membership is valid through September 15, 2016.
Enjoy crafthaus!"

At 10:45am on February 7, 2010, Christine Dumont said…
Hi Cynthia! What a thrill to see your work. I had never had the pleasure!
At 11:04pm on February 6, 2010, Claire Maunsell said…
Thanks for the invitation, of course -yes! You are one of the first pages I check every morning...
At 8:07pm on February 6, 2010, Marlee Page said…
Thank you for the invite, Cynthia. I always enjoy checking into PCD.
At 10:41am on February 6, 2010, Isabelle d'Hauterive said…
I Cynthia
I saw your work it is just fabulous
Have a nice day Isabelle
At 12:30am on February 6, 2010, 2Roses said…
A pleasure to meet you here on Crafthaus. We've been fans of PolymerClayDaily for quite some time.
At 3:52pm on December 9, 2009, Grace Stokes said…
Cynthia,

Thanks so much for stopping by my booth at Winterfair - it's always a pleasure to see you and note your interest in all things Polymer Clay! I appreciate your site and what it has done for the community. Keep up the greatwork!!!

Grace Stokes
At 10:03am on June 29, 2009, Lorena Angulo said…
Your website is incredible!
At 9:59am on March 26, 2009, Brigitte Martin said…
Cynthia:

Thank you very much for your membership payment and support of the crafthaus community. Your membership is good through 4-15-2010 :-). Be well and let me know your comments and suggestions on future improvements of the site. Thank you.

Brigitte
At 6:31am on March 8, 2009, Grace Stokes said…
Cynthia,

I so enjoy visiting your website. It provides a fantastic service to all artists, especially those in the polymer clay community. Thanks to you for searching out and finding people doing amazing things!
 
 
 

2014 Crafthaus Project Grant Recipient

Crafthaus is pleased to announce that Leisa Rich's project "Invisible:VisAble" garnered 968 votes of 2,575 total votes cast (37.59%) and is the 2014 Crafthaus Project Grant Winner.

Starting in November, we all look forward to following Leisa's crafthaus blog about her project.

Thank you to everyone who voted. Much success for all projects!

View all voting results.

Latest Activity

Linda Kaye-Moses commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Strong and beautiful exhibition. Thanks for giving us the chance to see this work."
2 minutes ago
Profile IconLinda Kaye-Moses, Lieta Marziali and 10 other members joined Mark Fenn - Studiofenn's group
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Tales From the Tool Box - Chapter One

Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
3 minutes ago
Brigitte Martin liked The Justified Sinner's blog post Texas!
6 minutes ago
Tom Supensky commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Narrative can have a very wide definition.  I think my work is narrative in that I try to express some form of communication with my clay sculptures.  How can I get my work in the January show?Cheers, Tom www.tomsupensky.com"
16 minutes ago
The Justified Sinner commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Superb collection! Can't wait for part 2.  All my work is "narrative" and I tend to like work by other makers which is also narrative. "
22 minutes ago
Lorena Angulo liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
29 minutes ago
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Lorena Angulo liked The Justified Sinner's photo
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Lorena Angulo liked The Justified Sinner's photo
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Maya Sabbatini liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
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Tom Supensky joined Melissa Cameron's group
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Coming up from the south

Jewelery works from emerging artists from Australia. Curated by Melissa Cameron.See More
1 hour ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Karina Gill - Contemporary Silversmith http://www.craftinfocus.com/focus_november_2014.htmlKarina GillSilversmith Karina Gill received a BA (Hons) in Three Dimensional Design from the Surrey Institute of Art and Design in Farnham.  Since…"
6 hours ago

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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