"John. I am sorry I did not meet you. My fault. I had a massively congested head and was floating around in a bit of a haze from it. I may have some thoughts on your thoughts if I can gather them. glad your writing them…"
"This is funny how this comes up now. I have spent the last few days transferring the video shot of my performance work from the 90's. While I have been half of FordForlano (David Forlano) for over 25 years I have been traversing so…"
"@ Alexandra--That is an excellent real life story about how social media really works. I think the touch of including some personal stories the way you mention is very important and goes a long way. "
"I think the social media logos should be on every website if you use them. It is one more way in to see what you are about. You are not advertising the social media tool/company. You are pointing back to yourself on another…"
"@kerin rose. She is very politically active and informed and does not shy away from making her voice heard. I am proud of her for that. By doing this on Twitter many of her comments are getting Re-tweeted by other political guru…"
"I was resistant to any social media until just a few years ago. I produced a web series with my wife and we just jumped into social media learning as we went. Still so much to learn! I find it is now a must have tool in the tool…"
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
I am a .... Example: Student, Maker, Educator, etc.
Our artistic collaboration began over 22 years ago when we met in Rome, Italy during a year abroad program through Tyler School of Art. Immediately we were intrigued by some essential differences in our approach to painting and this led to heated debates. David created large abstract paintings in which the richness of surface treatment was the main focus. Steve's work, in contrast, was based on the question: "How can I make a painting as an object", a fully integrated three-dimensional piece. We liked how our differences challenged our own thinking. As a way to learn from each other, we started trading half-finished drawings and paintings, and working our individual ideas into them.
We discovered that this kind of "swapping" has become an essential element in our collaboration. After years of working side by side, David moved to Santa Fe in 2005. We have tables in our Philadelphia studio with half-finished brooches. Steve sends them to David's Santa Fe studio where he continues to develop before sending them back to Philadelphia.
We've also noticed other threads from our art school days that have continued to be important. While David's strength has always been to push color, pattern and surface in new directions, Steve is constantly fascinated by three-dimensional structures and how things fit together mechanically. Throughout our collaboration, we have often looked to nature for inspiration. In seed clusters, shell formations, and flower buds, for instance, there are carefully organized parts which are arranged beautifully and made up of numerous, seemingly identical, but unique units. These exquisite structures lead us into new ways of envisioning a necklace, for example, both three-dimensionally and texturally.
Many of our brooches are like a collection of fragments. Not necessarily of literal fragments (say, like shards of pottery) but more like "conceptual fragments,"– like a piece of music, a chapter from a story, an ingredient from a cuisine, or an element of a language. At some point, however, we let the references subside a bit and allow the color, abstract patterns and form to lead us. The work feels complete to us when the balance of elements – abstract and imagistic -- comes into focus in some unusual way. The viewer, on the other hand, is free to gather his/her own impression of these suggested images.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Welcome to crafthaus, the network for fine craft artists and those who support them! I am very glad you joined us! Your crafthaus membership is valid through November 15, 2014.
Please look around and add your thoughts to the groups, blogs and discussions. Crafthaus is a participatory sport!
Please note that ALL images sent to the website editor are vetted to assure a measure of overall quality control. Unlike other image sharing websites, crafthaus is not a "free-for-all". Our members present their work in front of an educated and critical audience (their peers,) so the photos have to be GREAT. Our goal is to show our members' work in the best possible light. From the many images received daily, we aim to post as many as possible. Crafthaus heartily encourages comments from the membership, however, with regard to photos posted or not, we have a strict "NO WHINING" policy in effect!
If there are ever any questions or concerns, please don't hesitate to email me via firstname.lastname@example.org anytime, I will do my best to be of help.
I hope you will enjoy being with this network, and will find the exchanges interesting and fun.
CALL FOR ENTRIES - DEADLINE 11-12-14 (12:00 pm)Alchemy 3: Vision + Passion + Creation Juried Exhibitions - Exhibitions open during the Enamelist Society Biennial Conference at Montserrat College of Art, Beverly, MA and will travel to Worcester, MA and Concord, NH.Montserrat College of Art, Beverly, MA • Summer 2015Worcester Center for Crafts, Worcester, MA • Fall 2015League of NH Craftsmen, Concord, NH • Winter 2016McGowan Fine Art, Concord, NH • Winter 2016 Prospectus and submission form: …See More
"Are you a proud member of SNAG?
On behalf of the SNAG Social Media Committee we invite you to use the hashtag #SNAGmember on all of your social media platforms. Each member of the committee will be tracking the hashtag so that we can…"
Last Call!Deadline November 1st UNIQUES is an online auction of one-of-a-kind, limited edition, unusual, and handmade contemporary art jewelry and small metal items. SNAG's 3rd UNIQUES sale is December 1-15, 2014. UNIQUES helps SNAG members gain exposure and sell work while helping SNAG raise funds for programming. SNAG will be partnering with The International Society of Glass Beadmakers (ISGB) for this holiday sale. This time around we thought it would be fun to have everyone submit…See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!