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International Society of Glass Beadmakers
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The Society of Glass Beadmakers (SGB) was formed in 1993 by a small group of American beadmakers brought together by an exhibit of contemporary glass bead artists at The Bead Museum in Prescott, AZ. SGB's founders united to establish an organization dedicated to promoting the growth and recognition of glass beadmaking by facilitating communication and mentoring among members and educating the public about the process of beadmaking and the artistic value of glass beads.
One of the primary goals of ISGB has been to foster the rebirth of ancient glass beadmaking traditions through the sharing of techniques and information among both members and the public. Interest in ISGB has grown rapidly and today well over 1600 members participate Internationally. Members of a large network of glass beadmakers share techniques in an effort to promote their own work as well as the contemporary glass bead movement itself.
Glass beadmaking classes are now taught all over the U.S. and abroad, how-to videos are available to the general public, and Society members gather for an annual national meeting at which they explore techniques, tools, design, and business issues. This new, collaborative approach to glass beadmaking has captured the interest of glass artists and collectors around the world.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
INSTILL-material matters “The year’s end is neither an end nor a beginning, but a going on, with all the wisdom that experience can instill in us.” Hal Borland The School of Jewellery at Birmingham City University presents the thesis work by students of the MA in Jewellery, Silversmithing and Related Products course. The show celebrates the achievements of a group of exceptionally diverse individuals, with each piece on display offering an unexpected adventure through material that…See More
"I didn't buy any boots... they are not really my style, though I admire them.
There was a bull to sit on - a rather placid creature, it seemed, but I never thought to sit on it. If James had told me that you had done it, I would too, then…"
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!