Jason Kishell's Page

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Jason Kishell posted photos
Aug 5
Brigitte Martin liked Jason Kishell's photo
Apr 14
Jason Kishell and Masumi Kataoka are now friends
Nov 25, 2013
Jason Kishell posted a photo

Scarab Jar

Porcelain, underglaze pencil and China paint
Aug 18, 2013
Jason Kishell joined Pat Morrow's group
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Signature Work - Part 2

Signature Work... a distinctive piece representing our body of work that identifies us as artists.See More
Aug 13, 2013
Jason Kishell liked Brigitte Martin's blog post The Career Benefits of Boycotting Charity Art Auctions
Apr 3, 2013
Jason Kishell posted photos
Mar 27, 2013
Jason Kishell left a comment for Carrie Longley
"Hello Carrie, Thank you again for participating in our NCECA exhibition.  Your work is amazing and I overheard quit a number of people commenting on it and spending significant time with each piece.  Keep doing what you do best!"
Mar 26, 2013
Brigitte Martin liked Jason Kishell's photo
Mar 11, 2013
Jason Kishell posted photos
Mar 11, 2013
Jason Kishell left a comment for Matthew Smith
"Hi Matt! Sorry it's taken so long for me to respond-- NCECA is kickin' my shizzle. Welcome to Crafthaus!"
Feb 12, 2013
Jason Kishell and Matthew Smith are now friends
Feb 12, 2013
Marianne C. McGrath and Jason Kishell are now friends
Feb 5, 2013
Jason Kishell joined Angelina Ciulik's group
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Sporadic Chronicle

The Sporadic Chronicle is the unpredictable work journal of an Aficionado. The Chronicle follows the progress of Angelina Ciulik as she fabricates various projects for the entertainment industry, launches her jewelry line and products for her novelty line as well.See More
Jun 12, 2012
Jason Kishell joined Charity Hall's group
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Scrounge

Scrounging for materials and tools is a central part of my studio practice, and there are great bargains to be found!  In the past year, I’ve purchased a nice amount of silver for about $2/ounce, received several pounds of enamels, and refurbished hundreds of rusty chasing tools.  Luck has a lot of influence, and the generosity of donors cannot be understated, but there are also strategies involved to help make oneself luckier as well. This blog will also promote recycling and reusing by…See More
Feb 8, 2012
Jason Kishell posted photos
Feb 3, 2012

Profile Information

Where do you live ? City, State and Country
Houston, TX
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Houston Community College
I am a .... Example: Student, Maker, Educator, etc.
Maker and Educator
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.jasonkishell.com

Jason Kishell's Photos

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Comment Wall (11 comments)

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At 4:27pm on April 14, 2014, Brigitte Martin said…

Hello Jason: Thank you very much for your membership renewal and continued support of crafthaus. Your membership is valid through April 15, 2016. Enjoy crafthaus!

At 5:46am on June 20, 2011, Leisa Rich said…
Howard Sherman, Melanie Sinclair, John Adelman, Amie Adelman (Denton- UNT), there are more...but i can't think right now!
At 3:23pm on June 17, 2011, jenny Fillius said…
Right on.
At 12:54pm on June 17, 2011, jenny Fillius said…
Your work is wicked cool!
At 5:00pm on June 15, 2011, Cameron Lyden said…

Thanks for the add Jason!

I love your work, it's really amazing.

At 9:47pm on March 24, 2010, Paul Andrew Wandless said…
Hey Jason-
So far so good in Chicago. The work on here looks really good. Will you be at NCECA this year in Philly?
At 4:09pm on March 2, 2010, Carrie Longley said…
Thanks for the feedback Jason. I use a cone 6 white sculpture body, a satin base glaze and china paint. Looks like you use china paint as well...don't you love it?! I think you have a niche market of wealthy dentists out there that would snatch your work up in an instant! I love it!
At 8:35am on January 5, 2010, elizabeth cohen said…
I use Miller (Laguna) porcelain that I fire to cone 6 ox. I have been really happy with it for throwing, but not so much for hand building. Then again, I throw a whole lot more than I hand build!

How long do you work on an average piece? They look so intricate!
At 11:10am on December 27, 2009, elizabeth cohen said…
What a small world. Thanks for the nice words. Do you exhibit in the Boston area?
At 6:55pm on October 25, 2009, Regina Rose Malone said…
Your pieces are too cool (in a sick kinda way). I love them.
 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
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"Impressive!  I love the embroidered tweed. "
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Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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