Jill Foote-Hutton
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Jill Foote-Hutton commented on Jill Foote-Hutton's photo
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"...pushed you..." Vase, 2011

"Thanks Emily, wow your comment was from so long ago."
Oct 14
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"GOOD STUFF JILL!!!! "
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Rocket Rings

The idea here is to create and complete rocket rings and at least one red herring ring which will be chased/repoussed and/or shaped into more organic, low relief pieces.See More
Oct 16, 2013
Jill Foote-Hutton posted photos
Oct 16, 2013
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May 11, 2013
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Feb 25, 2013
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Aug 30, 2012
Jill Foote-Hutton joined ATTA Gallery's group
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A Glimpse of Thai Craft-Based Contemporary Art

Even though Thailand is well-known for its craft and mass-produced decorative products, its craft-based contemporary art is relatively unknown to both local and international markets. Therefore it was my great pleasure to be able to let the world see the kind of craft-based contemporary art created by Thai artists within the past few years.  In this exhibition three fields of craft-based contemporary art are presented:  ceramics (4), jewelry (3) and wood (1).  I hope you enjoy and appreciate…See More
Aug 30, 2012
Jill Foote-Hutton joined Melissa Cameron's group
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Coming up from the south

Jewelery works from emerging artists from Australia. Curated by Melissa Cameron.See More
Aug 30, 2012
Jill Foote-Hutton and anne havel are now friends
Aug 29, 2012
 

Jill Foote-Hutton is Whistlepig Studio

Jill Foote-Hutton's Photos

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Profile Information

Where do you live ? City, State and Country
Red Lodge, Montana
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Red Lodge Clay Center Gallery Coordinator, Whistlepig Studio and Blog
I am a .... Example: Student, Maker, Educator, etc.
Maker, Writer, Curator
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.whistlepigstudio.com
What media do you work with?
I work with people. Sometimes this thing called ART gets interactive.

Comment Wall (3 comments)

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At 4:22pm on September 22, 2014, Brigitte Martin said…

Thank you very much for your membership renewal and continued support of crafthaus. Your membership is valid through October 15, 2015.

Enjoy crafthaus!

At 4:08pm on May 8, 2014, Jillian Palone said…

GOOD STUFF JILL!!!!

At 10:33am on June 30, 2012, Leisa Rich said…

HI Jill! Thanks for the reply. The boards I do are NOT felt boards! Just to let you know! Have a great day!

 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
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"Impressive!  I love the embroidered tweed. "
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Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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