Joan Parcher
  • Providence, RI
  • United States
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Where do you live ? City, State and Country
I live in beautiful Providence, RI
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
studio
I am a .... Example: Student, Maker, Educator, etc.
self-employed metalsmith

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Comment Wall (5 comments)

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At 12:24pm on December 7, 2013, Brigitte Martin said…

Thank you very much for your membership renewal and continued support of crafthaus. Your membership is valid through December 15, 2014.
Enjoy crafthaus!

At 8:02am on April 9, 2009, Stephen Saracino said…
Joan,

So nice to hear from you. Yes I was at Kent. I have been following your work for years. Glad to see that you are still inventive and have a strong aesthetic to boot. Still crazy after all these years...Steve
At 4:41pm on March 27, 2009, Heidi C. Horman said…
Hey Joan, I am looking for your picture. You need to add one.
At 9:56am on March 26, 2009, Brigitte Martin said…
Joan:

Thank you very much for your membership payment and support of the crafthaus community. Your membership is good through 4-15-2010 :-). Be well and let me know your comments and suggestions on future improvements of the site. Thank you.

Brigitte
At 7:09am on January 9, 2009, Brigitte Martin said…
Hello Joan:

Welcome to crafthaus ! I am very glad you joined us.

Please add a few images and your comments to the blog/discussion topics that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.

I really hope you will enjoy being with this network and find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.

If there are ever any questions or concerns, please don't hesitate to email me anytime. I will do my best to be of help.

Again: Welcome !

Brigitte Martin
Editor www.crafthaus.ning.com
Director, Luke & Eloy Gallery
www.lukeandeloy.ning.com
 
 
 

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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