Place of Work ? Example: Studio, College, Gallery, Museum, ...)
SIUE, teaching Intro to Metals beginning fall 2010.
I am a .... Example: Student, Maker, Educator, etc.
I am currently a MFA candidate in Metals at Southern Illinois University Edwardsville. I am currently taking a semester off to have a baby, why not during grad school? Geez....
I worked as a bench jeweler for 9 years after receiving my BFA in metals from SCAD. I also played all female Roller Derby for four years just before gong back to school, I miss sk8in'.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
I can't figure out how to send you a message because I am new to crafthaus! I am a first year grad at RISD and we are curating a pretend exhibition of 14 other artists that we'd like to be in our company. My exhibition is titled "Portrait, Portrait" and I've chosen your cocktail, shrimp? piece to be in my exhibition! I can't find any information on it and was wondering if you could send me the date it was made, materials, and dimensions so it can accompany your image! I can send your more information on why I chose it and what my exhibition is about if I can figure out how to message you. Your help would be much appreciated. Thanks so much
Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!