Thanks for getting back to me so quickly, and for the book recommendations. As per your long time interest in memento mori objects I doubt I have anything more to add. I'll be in touch as the article progresses.
I'm working on an article for Metalsmith about mourning jewelry and I'm interested in your work. I have the review from Gallery Flux in 2006 and the images from your website. I cast a pretty wide net while doing research, so I don't know exactly where I'll end up, but if I would like to use some of your work, I'll let you know so we can have a really good image. Naturally I welcome any other information or new work you'd like to share.
Welcome to crafthaus ! I am very glad you joined us. It is certainly nice to see you here and on the Luke & Eloy website :-).
Please add your thoughts to the blog/discussion topics that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.
I really hope you will enjoy being with this network and find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.
If there are ever any questions or concerns, please don't hesitate to email me anytime. I will do my best to be of help.
Again: Welcome !
Director, Luke & Eloy Gallery
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!
Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.
I've just got back from almost a week in the Lone Star State which I was visiting on the invitation of my friends and colleagues, James Thurman and Umut Demirguc Thurman. What a trip! Based in Denton, Dallas, the main reason for my visit was to speak to the students at the University of North Texas and to work with them on a couple of practical workshops. Before…See More
Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK
INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.
Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!