Kristin Mitsu Shiga
  • Female
  • Portland, Oregon
  • United States
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Kristin Mitsu Shiga's Friends

  • Ashley Brodie
  • Revere Academy
  • Jon M Ryan
  • Heng Lee
  • Sharon Massey
  • Nathan Dube
  • American Craft Council
  • danielle embry
  • Ross Annels
  • Tara Nahabetian
  • Catherine Chandler
  • marcus marguillier
  • Sarah Hood
  • Glen Guarino
  • Jennaca Davies
 

Inspired by actual events....

Latest Activity

Tom McCarthy left a comment for Kristin Mitsu Shiga
"Fantastic work. I stumbled upon your Syncopation Neckpiece in the slideshow on the home page. I really like the diversity of materials assembled with traditional care."
Sep 5, 2013
Kallia Chatzigianni liked Kristin Mitsu Shiga's photo
Aug 21, 2013
Kristin Mitsu Shiga commented on Ross Annels's group Crafting this Antipodean Place
"Wonderful to be able to "meet" these artists and see the Australian landscape through their eyes.  Many thanks for your ever-thoughtful curation and generosity in sharing this with us, Ross!"
Dec 3, 2012
Kristin Mitsu Shiga joined Ross Annels's group
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Crafting this Antipodean Place

Australian landscapes are old, powerful and strange to Eurocentric eyes. To Indigenous Australia, whose pre-colonial history stretches back something like 60,000 years, every part of the landscape was active and spirited, full of story, meaning and relatedness. Contemporary mainstream Australia views the land as a resource to be measured, assessed, and exploited, without agency and devoid of meaning beyond economic value.This exhibition presents the work of Australian craft artists who engage…See More
Dec 3, 2012
The Justified Sinner liked Kristin Mitsu Shiga's photo
Nov 14, 2012
The Justified Sinner commented on Kristin Mitsu Shiga's photo
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Vortex Neckpiece

"Fantastic! "
Nov 14, 2012
Kristin Mitsu Shiga joined Liz Steiner's group
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SNAG Conference 2012 Phoenix

Jillian Moore and Liz Steiner blog the events of the 2012 SNAG Conference "The Heat is On!",  happening May 23-26, in Phoenix, AZ.See More
May 8, 2012
Kristin Mitsu Shiga joined Pat Morrow's group
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Studio Sanctuaries - Part 2

Few things are more important to an artist than their workspaces. Part sanctuary, part workshop, part hang-out: This exhibit honors our studio spaces where we spend most of our time.
Jan 30, 2012

Profile Information

Where do you live ? City, State and Country
Portland, Oregon, USA
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Oregon College of Art & Craft, Museum of Contemporary Craft, Multnomah Arts Center, Shag Shaggy Chug
I am a .... Example: Student, Maker, Educator, etc.
I am a metalsmith, teacher, and arts administrator in Portland, Oregon.

Statement:
When time in the studio becomes more scarce, the weight of its preciousness can sabotage the creative process. With my most recent body of work, I chose to approach it with a discipline not unlike my meditation practice. Creating a structured schedule filled with quiet rituals allowed for reflection and discovery brought on mostly by patience and repetition. At its best, this practice can lead to the distillation of thought; an intensely fertile ground ready as soon as you find time to engage it.

Ideas that I tucked away for later use coalesced, allowing unexpected intersections and alignments to emerge. The “cosies” and plates, for example, grew out of a project called “Unfinished, Damaged and Broken.” With this fledgling sculpture series, I took found objects and either completed, repaired or protected them. This exploration led to other discoveries involving unexpected interactions between materials, embodied in much of the jewelry you see here.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.kristinmitsushiga.com

Kristin Mitsu Shiga's Photos

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Comment Wall (15 comments)

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At 3:42pm on September 5, 2013, Tom McCarthy said…

Fantastic work. I stumbled upon your Syncopation Neckpiece in the slideshow on the home page. I really like the diversity of materials assembled with traditional care.

At 7:55am on December 17, 2012, Brigitte Martin said…

Thank you very much for your membership payment and support of crafthaus. Your membership is valid through December 15, 2014.


Enjoy crafthaus, participate often!

At 4:26pm on July 25, 2011, Ross Annels said…
Hi Kristin - thanks for the friend add - I've been lurking here on Crafthaus for a few years now. Would like to have a discussion with you sometime about the role of ritual in your practice - I am very interested in how crafted objects can create everyday rituals that disrupt the profanity of modern industrial life.
Look forward to the next opportunity to have that conversation In person
Ross
At 4:32pm on February 5, 2011, Linda Kaye-Moses said…

Hey Kristin,

Glad to hear that the prelim $$$ for your CoLab project trip came through. Why not? You do good stuff! Remind me where you'll be in Aotearoa (Maori for NZ, but you knew that, right?). I have a few friends there, jewelers, and if you're going to be  anywhere nearby...well you get the picture. Get back to me.

Linda Kaye-Moses

At 12:48pm on February 3, 2011, Andy Cooperman said…
Congrats!!!!!
At 10:30pm on April 18, 2009, Thea Clark said…
HI Kristin,

I hope you'll send images for "Define Metal and Fiber", check out online exhibitions. Some of your pieces certainly would fit right it.
At 3:44am on April 16, 2009, marcus marguillier said…
Looking at your work, made me feel like I was on an fantastic journey, going to different places, meeting new people, going trough different emotions.
Thank you.
At 2:13pm on January 31, 2009, Anna Kristina Goransson said…
love, LOVE, your work. You'll have to tell me about the oil can (?) some day.
At 9:49pm on November 1, 2008, Anne Bulmer Brewer said…
Thank you. Your work is wonderful. I was reading your statement above. You are so right about the importance of rituals. I also have found they allow the mind and body to move where the spirit needs to go next. Like you, I find this true in my meditation practice. I also use it in my yoga and gardening. In fact, doing the little things in the garden seem to open new awarenesses for me.
My husband and I are working to move to the Seattle area sometime next year. Perhaps, when we are settled, we could have coffee. I hope to drive down often, as well as, attend some workshops at OCAC. Please let us know about workshops you may be holding.
At 9:16am on August 9, 2008, Brigitte Martin said…
Kristin:

Prompted by the new song you uploaded, I looked at your personal page again while listening to the song. I also re-read your statement and saw the many photos of your work that I hadn't had the time to really look at during the past frenzied weeks.

Aside from telling you how much I enjoy seeing the range of materials you work with, and the amazing results :-)) , I was particularly impressed by your thoughtful and reflective Artist Statement.

I can absolutely relate to your sentiment about studio time sometimes being a rare commodity and how that impedes the creative process in the worst way.

Like you, I have set myself a fairly strict schedule (or ritual) that enables me to spend a certain amount of hours daily in the studio. So far, that has worked well for me. I like being organized in what I do, therefore coming up and sticking to a schedule is the best way for me to go. I appreciate the "piece of mind" which translates into quiet time for me to THINK.
 
 
 

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Latest Activity

Linda Kaye-Moses commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Strong and beautiful exhibition. Thanks for giving us the chance to see this work."
3 minutes ago
Profile IconLinda Kaye-Moses, Lieta Marziali and 10 other members joined Mark Fenn - Studiofenn's group
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Tales From the Tool Box - Chapter One

Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
4 minutes ago
Brigitte Martin liked The Justified Sinner's blog post Texas!
7 minutes ago
Tom Supensky commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Narrative can have a very wide definition.  I think my work is narrative in that I try to express some form of communication with my clay sculptures.  How can I get my work in the January show?Cheers, Tom www.tomsupensky.com"
17 minutes ago
The Justified Sinner commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Superb collection! Can't wait for part 2.  All my work is "narrative" and I tend to like work by other makers which is also narrative. "
23 minutes ago
Lorena Angulo liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
30 minutes ago
Lorena Angulo shared Mark Fenn - Studiofenn's group on Facebook
31 minutes ago
Lorena Angulo liked The Justified Sinner's photo
32 minutes ago
Lorena Angulo liked The Justified Sinner's photo
32 minutes ago
Maya Sabbatini liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
1 hour ago
Tom Supensky joined Melissa Cameron's group
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Coming up from the south

Jewelery works from emerging artists from Australia. Curated by Melissa Cameron.See More
1 hour ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Karina Gill - Contemporary Silversmith http://www.craftinfocus.com/focus_november_2014.htmlKarina GillSilversmith Karina Gill received a BA (Hons) in Three Dimensional Design from the Surrey Institute of Art and Design in Farnham.  Since…"
6 hours ago

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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