Liana Pattihis
  • Female
  • London
  • United Kingdom
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Liana Pattihis's Page

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Liana Pattihis posted a blog post
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Mar 26, 2013
Liana Pattihis posted a blog post

FORTHCOMING EXHIBITION

'Adapted Patterns Installation Necklace 01' will be featured in the exhibition'Wear it or Not': Recent Jewelry Acquisitions at the Museum of Arts and Design (MAD) New Yorkfrom 12 March - 02 June 2013…See More
Mar 11, 2013
Marina Sheetikoff and Liana Pattihis are now friends
Feb 27, 2013
Liana Pattihis posted a blog post
Dec 16, 2012
Liana Pattihis joined Farrah Al-Dujaili's group
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Collect_ive 'A New Generation of British Art Jewellers'

Eight contemporary British jewellers have come together to exhibit at the 11th edition of the prestigious SIERAAD International Jewellery Art Fair in Amsterdam from 1st – 4th November. Each with our own style, voice and specialism, Collect_ive aims to promote British art jewellery to a wider audience. We are Farrah Al-Dujaili, Laura Bradshaw-Heap, Melanie Codarin, Katie Lees, Yu-Ping Lin, Grace Page, Natalie Smith and Anna Wales.Together we use a variety of mediums and subjects within our…See More
Oct 18, 2012
Liana Pattihis liked Farrah Al-Dujaili's group Collect_ive 'A New Generation of British Art Jewellers'
Oct 18, 2012
Brigitte Martin liked Liana Pattihis's blog post JOYA CONTEMPORARY JEWELLERY WEEK BARCELONA 11-13 OCTOBER 2012
Sep 25, 2012
Liana Pattihis posted a blog post

JOYA CONTEMPORARY JEWELLERY WEEK BARCELONA 11-13 OCTOBER 2012

 I will be exhibiting as guest artist at Joya Barcelona Contemporary Jewellery Week   11-13 October.…See More
Sep 23, 2012
John Lewis Jensen liked Liana Pattihis's photo
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Profile Information

Where do you live ? City, State and Country
United Kingdom
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Own Workshop, London UK
I am a .... Example: Student, Maker, Educator, etc.
My work comprises mainly brooches and necklaces made out of various designs of silver and gold chain alone, or chain attached onto a copper mesh base which are then enamelled. Even though I have endless sources of inspiration, looking into ancient Greek and Cypriot Jewellery had a tremendous influence on my work. The unconventional process I follow in the making of my jewellery is a product of many months of experimenting with sifting and fusing enamels, which resulted in me pioneering a unique method of fusing enamel on a movable base (chain). My aim is to try and stretch the boundaries of what can be achieved with glass powder as a medium, thus introducing a unique way of enamelling in the contemporary jewellery world as an alternative to what is already out there.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.lianapattihis.com

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Comment Wall (5 comments)

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At 8:22pm on April 6, 2014, Brigitte Martin said…

Hello Liana: Thank you very much for your membership renewal and continued support of crafthaus. Your membership is valid through April 15, 2015. Enjoy crafthaus!

At 7:19pm on March 24, 2010, Miriam Rowe said…
I agree- there was good work at SCHMUCK, but an overwhelming amount of not-very-inspiring jewellery, too. I thought the Talente show had a much better quality of work, over all. Did you go to the opening for Karl Fritsch's curated exhibition on Friday night at the Pinakotek der Moderne? I think that was one of the big highlights of the whole event for me- and I agree with you, it was also really good to meet other designers and makers and talk about nothing but jewellery for days at a time!
At 4:41pm on March 15, 2010, Miriam Rowe said…
Hi Liana, thanks for the friend request! So what did you think of SCHMUCK?
I really love all the tiny repetitive elements that make up so many of your pieces- really beautiful!
At 4:12pm on January 28, 2010, Marjorie Simon said…
Thanks, Liana! I wish there were more lively discussions for Jessica's project. Cheers,
Marjorie
At 2:53pm on January 21, 2010, Brigitte Martin said…
Welcome to crafthaus, the network for artists and fine craftsmen/women ! I am very glad you joined us !

Please add your thoughts to the blogs and discussion forums that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.

I really hope you will enjoy being with this network, and will find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.

Please note that crafthaus is both a fully edited and a member-financed website, meaning that a small annual fee ($20/yr or $35/2yrs) is involved in being a member here. You will find all the necessary information on how to go about this in the FAQs section of the site. Your membership fee is due on or before February 15, 2010 and is payable through paypal (preferred,) US check or credit card.

All images sent to the website will be reviewed to assure some measure of overall quality control. Crafthaus is not a "free-for-all". Members present their work in front of an educated and critical audience (their peers,) so the images have to be GREAT in both content and photo quality. From the many images received daily, we try to post as many as possible.

Crafthaus does not support any kind of commercial solicitation of our membership. Anyone sending out communication of that kind will be suspended from the site.

Finally, if there are ever any questions or concerns, please don't hesitate to email me via crafthauseditor@live.com anytime. I will do my best to be of help.

Again: Welcome and enjoy !

Brigitte Martin
Crafthaus Editor
 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
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"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
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"Craft World Sucks Like Vampires http://j.mp/1wBtHYH"
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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
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The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
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Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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