"Well, thanks so much Lora! The hinge isn't as tight as I wanted it to be but I know I have time to keep improving as I practice. I really appreciate you writing. Celie's class would be a lot of fun, wouldn't it?"
This piece is made of 16 gauge sterling wire and wrapped qith 16 gauge half round wire so it is pretty hefty. The stone in the middle is a square faceted cz. A bit tricky to wire this in place but it was worth the effort.
"Thank you Lora! It was an interesting challenge to figure out what would be the best way to set the stone backwards against the frame. Wire is a very easy solution compared to bezel setting which is my normal route to take. It took…"
"Katie, you are so nice to write! Thanks!
The horrific disaster in Japan really touched my heart. This is how I responded, designing a piece to never let me forget about the Japanese people, the strength and humility they show in times of…"
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
I am a .... Example: Student, Maker, Educator, etc.
Lisa Barth is a wire jewelry artist and a Senior level certified teaching metal clay instructor from Atlanta, Georgia. She teaches wire artistry and metal clay and absolutely loves sharing her passion for this art. She has been published in several magazines, including the cover of Bead&Button, Australian Beading, BeadStyle, Metal Clay Artist Magazine, Bead&Button's Creative Beading Vol. 4. She has two more articles for Bead&Button coming in 2011. Her work has bean featured in Barbara McGuire's book called Creative Canes and she has appeared on Live television, presenting her work.
Lisa will be teaching at the Metal Clay World Conference in Chicago in July, 2011. Bezel setting stones is her specialty and will be sharing her expertise in designing organically, achieving harmony between stone and setting. She is always learning and pushing herself to be achieve excellence. "I haven't made it yet but I intend to take a life time getting there. Anyone who wishes to learn with me is welcome to come on aboard. Life is short, let's have some fun"!
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Lisa, I'm so glad you joined Crafthaus! Be sure and join the interest group, New Directions. That's where the metal clay artists hare hanging that are going to participate in the exhibition. See you there!
Welcome to crafthaus, the network for fine craft artists and those who support them! I am very glad you joined us! Your crafthaus membership is valid through Feb 15, 2012.
Please look around and add your thoughts to the groups, blogs and discussions. Crafthaus is a participatory sport!
Please note that ALL images sent to the website editor are vetted to assure a measure of overall quality control. Unlike other image sharing websites, crafthaus is not a "free-for-all". Our members present their work in front of an educated and critical audience (their peers,) so the photos have to be GREAT. Our goal is to show our members' work in the best possible light. From the many images received daily, we aim to post as many as possible. Crafthaus heartily encourages comments from the membership, however, with regard to photos posted or not, we have a strict "NO WHINING" policy in effect! :-)
If there are ever any questions or concerns, please don't hesitate to email me via email@example.com anytime, I will do my best to be of help.
I hope you will enjoy being with this network, and will find the exchanges interesting and fun.
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!
Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.
I've just got back from almost a week in the Lone Star State which I was visiting on the invitation of my friends and colleagues, James Thurman and Umut Demirguc Thurman. What a trip! Based in Denton, Dallas, the main reason for my visit was to speak to the students at the University of North Texas and to work with them on a couple of practical workshops. Before…See More
Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK
INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.
Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!