"This is so very beautiful. I love the dimensionality of the covers. I'm assuming there is a form/armature on which the leather is stretched. Would you mind describing how that is accomplished? You can email me directly, if you wish…"
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Skin Grafix Tattoos
I am a .... Example: Student, Maker, Educator, etc.
For me, art is like a science experiment. I create a problem for myself out of curiosity then set about solving it through trial and error using my knowledge of form and balance.
I gather my inspiration by combing through antique and discount stores. I don't seek out specific items. Instead, I dissect everything I see into its component parts and find those that fit my ideas or inspire new ones. Just like each answer gives birth to new questions, so do my creations spawn new ideas for my next project.
My books are the result of my fascination with strange objects and my love of the book form. The smell and sound of a book fill me with a certain calming satisfaction and the mystery of a secret place I always wanted to be. I combine the Ethiopian style bookbinding technique with the spontaneity of assemblage. The result is an object that comes from that hideaway, that secret cubbyhole that my inner self still longs to visit.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Welcome to crafthaus, the network for artists, craftsmen/women ! I am very glad you joined us !
Please add your thoughts to the blogs and discussion forums that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.
I really hope you will enjoy being with this network and find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.
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INSTILL-material matters “The year’s end is neither an end nor a beginning, but a going on, with all the wisdom that experience can instill in us.” Hal Borland The School of Jewellery at Birmingham City University presents the thesis work by students of the MA in Jewellery, Silversmithing and Related Products course. The show celebrates the achievements of a group of exceptionally diverse individuals, with each piece on display offering an unexpected adventure through material that…See More
I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!