"This is so very beautiful. I love the dimensionality of the covers. I'm assuming there is a form/armature on which the leather is stretched. Would you mind describing how that is accomplished? You can email me directly, if you wish…"
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Skin Grafix Tattoos
I am a .... Example: Student, Maker, Educator, etc.
For me, art is like a science experiment. I create a problem for myself out of curiosity then set about solving it through trial and error using my knowledge of form and balance.
I gather my inspiration by combing through antique and discount stores. I don't seek out specific items. Instead, I dissect everything I see into its component parts and find those that fit my ideas or inspire new ones. Just like each answer gives birth to new questions, so do my creations spawn new ideas for my next project.
My books are the result of my fascination with strange objects and my love of the book form. The smell and sound of a book fill me with a certain calming satisfaction and the mystery of a secret place I always wanted to be. I combine the Ethiopian style bookbinding technique with the spontaneity of assemblage. The result is an object that comes from that hideaway, that secret cubbyhole that my inner self still longs to visit.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Welcome to crafthaus, the network for artists, craftsmen/women ! I am very glad you joined us !
Please add your thoughts to the blogs and discussion forums that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.
I really hope you will enjoy being with this network and find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.
Please note that crafthaus is a fully member-financed website, meaning that a small annual fee ($20/yr or $35/2yrs) is involved in being a member here. You will find all the necessary information on how to go about this in the FAQs section of the site. Your membership fee is due on or before October 15, 2009 and is payable through paypal (preferred,) US check or credit card.
Finally, if there are ever any questions or concerns, please don't hesitate to email me via email@example.com anytime. I will do my best to be of help.
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!
Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.
I've just got back from almost a week in the Lone Star State which I was visiting on the invitation of my friends and colleagues, James Thurman and Umut Demirguc Thurman. What a trip! Based in Denton, Dallas, the main reason for my visit was to speak to the students at the University of North Texas and to work with them on a couple of practical workshops. Before…See More
Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
Can the metal and jewelry field overcome its division and send out a much-needed signal?We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making! Arriving at this message is the goal of this exhibition cooperatively arranged by Rachel Timmins and Brigitte Martin.Please join this group to stay informed !! This is the official exhibition blog.See More
I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK
INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.
Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!