"This piece is approximately 16" x 16". The materials are bamboo, carved twigs, and tooled cedar strips in the background. This idea originated with a visit to a Native American museum on trip to Montana. There was an old teepee…"
This is a bamboo mosaic measuring 16" x 16". Varying thicknesses of bamboo were split in half or cut into strips, or rings. Each piece is crafted to fit together, and all edges are finely beveled by hand.
"Yes, the smokestacks are blown glass with a heavily cold-worked/engraved surface. I have a 35/40 grit grinding wheel that just eats up material but leaves a very rough surface. I then use a sealant to get the surface back to a more acid etched…"
"Yes, let's be friends Adam! Thanks for the glowing comments about my work.
Your glasswork is beautiful - great color and patina. Is that "smokestack" glass? Seeing the photo of the molten glass brings back the…"
"Thanks to Glen and Marie for making my first time exhibiting with Crafthaus a pleasure!
So glad to be sharing a global gallery with such an impressive array of artists. Great inspirations, opportunities, and challenges await!"
Yes, the smokestacks are blown glass with a heavily cold-worked/engraved surface. I have a 35/40 grit grinding wheel that just eats up material but leaves a very rough surface. I then use a sealant to get the surface back to a more acid etched transparency while still keeping a toothy, brick like texture.
Feel free to join the TCC page. I am always looking to build our community as well. I really want TCC to better serve the regional craft ecology, including crafthausers.
Welcome to crafthaus, the network for artists and fine craftsmen/women ! I am very glad you joined us !
Please add your thoughts to the blogs and discussion forums that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.
I really hope you will enjoy being with this network, and will find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.
Please note that crafthaus is both a fully edited and a member-financed website, meaning that a small annual fee ($20/yr or $35/2yrs) is involved in being a member here. You will find all the necessary information on how to go about this in the FAQs section of the site. Your membership fee is due on or before February 15, 2010 and is payable through paypal (preferred,) US check or credit card.
All images sent to the website will be reviewed to assure some measure of overall quality control. Crafthaus is not a "free-for-all". Members present their work in front of an educated and critical audience (their peers,) so the images have to be GREAT in both content and photo quality. From the many images received daily, we try to post as many as possible.
Crafthaus does not support any kind of commercial solicitation of our membership. Anyone sending out communication of that kind will be suspended from the site.
Finally, if there are ever any questions or concerns, please don't hesitate to email me via email@example.com anytime. I will do my best to be of help.
Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!