I enjoyed getting the chance to spend time with you and to see your work at Repair Days. I had a good (and sunny and warm!) time in St. Louis before getting back to Ohio last night.
I'm looking forward to our next visit."
“Ferrous”- A Cooperative Exhibition between Velvet Da Vinci Gallery, SF and crafthaus. Exhibition dates: March 1 - April 14, 2013Simultaneous exhibition at Velvet da Vinci Gallery, SF and crafthaus (online)!See More
Hello there. So we are in another show together after all these years. It was a fun weekend at the SCC in Pittsburgh. Several of the artists came in for the opening and gallery talks. Just wanted to say that your piece was a standout in a beautiful show. It is expressive and funny, exquisitely crafted and so BLUE! Loved it. Cappy
Yes, I have been to Penland, Urban Glass (NYC), The Appalachian Center for Craft and Pilchuck as a glass student, but never to Haystack (which was always a regret because it looks like the seaside shangri-la of craft schools). I look at these school as potential models for Touchstone to emulate, so it would be great to have your board perspective on campus as well as your skills and an artist.
I just started as the ED at Touchstone in July, and my formative experiences at the most prestigious craft schools are influencing how I chart Touchstone's future. That's one reason I was so keen to get in touch with Brigitte at crafthaus. The site has been great way for me to share my own work, and to connect with engaged and talented craft artists to help Touchstone take a more active role in the regional high craft ecology.
Anyway, I have a few dates open from late spring to early fall, weekend and week-long classes, can I email you about this or would you prefer to keep corresponding through crafthaus?
My email address is firstname.lastname@example.org, but I would be happy to touch base with you if you send me your email. Looking forward to working something out.
Thanks Stephen. For a glass artist I really avoid the "glassy" texture in my work. Whether its heavy engraving or metal foils, I always want to distress the surface. I guess I am more interested in translucent vs. transparent. Always jealous of the surfaces that metal workers and ceramicist can get. Does the blue square/rect. tube stock in your work come like that. Are they reclaimed?
On a side, note I am the ED at Touchstone Center for Craft in Farmington, PA. Our Hart Moore Blacksmithing Studio is one of the best in the country. If you are ever interested in teaching a week-long or weekend class I would love to discuss it with you. I am trying to nudge the program towards more contemporary interpretations of blacksmith and your work meets that need.
Welcome to crafthaus, the network for fine craft artists and those who support them! I am very glad you joined us! Your crafthaus membership is valid through December 15, 2012.
Please look around and add your thoughts to the groups, blogs and discussions. Crafthaus is a participatory sport!
Please note that ALL images sent to the website editor are vetted to assure a measure of overall quality control. Unlike other image sharing websites, crafthaus is not a "free-for-all". Our members present their work in front of an educated and critical audience (their peers,) so the photos have to be GREAT. Our goal is to show our members' work in the best possible light. From the many images received daily, we aim to post as many as possible. Crafthaus heartily encourages comments from the membership, however, with regard to photos posted or not, we have a strict "NO WHINING" policy in effect!
If there are ever any questions or concerns, please don't hesitate to email me via email@example.com anytime, I will do my best to be of help.
I hope you will enjoy being with this network, and will find the exchanges interesting and fun.
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!
Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016.
Rachel and Brigittewill be appearing on the wonderful Jay Whaley Metalsmith Benchtalk Radio Show, talking about the Co:Operation Garnish project, how they came up with the idea, what the project is about and the plans moving forward.
The radio show will be LIVE on air September 25, 2014 @ 6PM EST / 3 PM Pacific.
"Boy am I glad I saw this. I learned, or thought I learned how to sharpen a pencil with a jack knife at my father's knee. But he neglected to tell me how lucrative it could be, and how exacting. If David Rees would have been my mentor, I would…"
December 5, 2014 at 10am to December 7, 2014 at 5pm
Comprised of 175 exhibitors, CraftBoston Holiday is a highly regarded, must-attend event for artists, collectors, and craft enthusiasts. Presented at the Hynes Convention Center in Boston’s Back Bay neighborhood, CraftBoston Holiday is conveniently located in a fashionable, concentrated shopping district perfect for the holiday season. Come for the day to shop for unique, one-of-a-kind gifts, meet and support the makers, and learn about fine contemporary craft. Dates & Hours Fri. December…See More
BY ALLISON ARIEFF on medium core, Sep 15Last spring, I attended the Bloomberg BusinessWeek Design Conference in San Francisco. Ben Kaufman, the CEO of Quirky, was one of the speakers in a conference that unabashedly celebrated consumption (and only had…See More