Susana Coelho de M. Garcia Lopes
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  • London
  • United Kingdom
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London
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London College of Fashion
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Susana Bettencourt graduated in BA Fashion Knitwear Honours at the prestige's Central Saint Martins College of Art and Design in London. 

The Designer was part of the finalist for the Portuguese Young Creator 2008 with the collection Tempus Morphose. She was an intern for 2 collections (AW08, SS09) at Alexandra Moura, doing at the same time a jewelry course with acrylic and resin at Contacto Directo (Lisbon). At the beginning of that same year Bettencourt was part of an exhibition of Janela Urbana at Yron Galley with a handmade accessories collection, "My Tangram".

In 2007 she was at Treads & More (Australia) being part of the designers panel and a year before she develop a merchandising project at Fátima Lopes. With a Fashion Folio Course at CSM, that helped her make the jump from Portugal to the UK, and a Sewing and pattern course where she first purified her skills. 

Currently Bettencourt is on the MA Digital Fashion at the London College of Fashion which will give her experience with the new software from the computerized knitting machines to 3D projects and pattern cutting. At the moment the acrylic jewelry collection is in progress to be in the stores the next few months.


Sinopse Tangram

This jewellery collection is based on the ancient Chinese Tangram puzzle. Tangram is a learning tool that combines artistic and mathematical elements to enhance visual perception ability; develop problem solving skills; creative thinking capacity and teamwork.

Traditional tangrams were made from stone, bone, clay or other easy to get materials. Nowadays they can be made from plastic, wood or other modern materials.
For this pieces I used my knitting and crochet techniques to manipulate wire and beads. The rest of the composition of the necklaces was created with fimo, mirrors, silver sheets and chains.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.susanabettencourt.com

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At 2:25pm on April 14, 2011, Brigitte Martin said…

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At 8:56am on January 17, 2010, Brigitte Martin said…
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Rameen Ahmed liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
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Tales From the Tool Box - Chapter One

Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
26 minutes ago
Lieta Marziali commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Most fabulous. All my work is narrative too. It is an urge that grew in me and has slowly permeated my entire practice. I now don't think I could work in any other way. Really looking forward to Chapter 2."
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Brigitte Martin commented on The Justified Sinner's blog post Texas!
"I am thrilled to see you had such a great time, Dauvit. Funny, James took me boot shopping as well when I was down there and I visited the same store you went to. At the time, someone was getting his boots custom fitted, it was sight to be seen. You…"
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Linda Kaye-Moses commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Strong and beautiful exhibition. Thanks for giving us the chance to see this work."
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Brigitte Martin liked The Justified Sinner's blog post Texas!
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Tom Supensky commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Narrative can have a very wide definition.  I think my work is narrative in that I try to express some form of communication with my clay sculptures.  How can I get my work in the January show?Cheers, Tom www.tomsupensky.com"
1 hour ago
The Justified Sinner commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Superb collection! Can't wait for part 2.  All my work is "narrative" and I tend to like work by other makers which is also narrative. "
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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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