kerianne quick's Page

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Staring : in HINDSIGHT at Die Neue Sammlung / The International Design Museum

March 15, 2014 to March 20, 2014
  Staring in HINDSIGHT : the State University of New York at New Paltz Designed in response to the physical space that houses the exhibition,Staring in HINDSIGHT, is an exercise in searching, finding, seeing and knowing. Hindsight is a locator, a liminal state in which we consider the past as we look toward the future. It is a site of contemplation, of longing, and of learning. This notion of occupying the margin of past and future is akin to the creative strategies taught at New…See More
Mar 3
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Jun 28, 2013
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kerianne quick joined Missy Graff's group
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SUNY New Paltz goes to Munich

The MFA Metal students at SUNY New Paltz are traveling abroad to Munich Germany to attend SCHMUCK 2013!!! SCHMUCK brings together the best jewelry artists from around the world. See More
Mar 8, 2013

Statement of Interest

I am interested in material and source, and meaning rooted in the connections between them. I investigate how materials collect their identity, beginning with geographic origins, through cultural connections and histories, ending with the objects they become. By traveling to physically gather material and information myself I create a personal connection to the source and attempt to render that bond. I account for the journey from source to viewer, acting as a liaison, intent on bringing the two worlds closer to one another. As a result of thorough research I become expert and the work becomes a vessel for discovery, communication and understanding. Through this act I hope to discover how my role as a connector of material and histories affects the form of the object and the formulation of the role of the viewer. The work’s ultimate goal is to inspire the viewer to consider a complex network of historical, economic, and geopolitical forces that bring an object into existence. Thus I intentionally collapse the notion that art or any designed object can emerge from an insular creative bubble, untouched by history, culture and economy. The specific use of material is dictated by my own inability to express what the material can express with authority. As a maker, I cannot create what the material holds within it, thus I borrow the power of material to communicate. In turn, as a maker I release a form of the materials own agency that it cannot release itself. This is a cooperative act.

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Profile Information

Where do you live ? City, State and Country
Kingston, NY
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
SUNY New Paltz
I am a .... Example: Student, Maker, Educator, etc.
research - rite - rythmatic...
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://sourcematters.wordpress.com/
What media do you work with?
language, history, origin

Comment Wall (18 comments)

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At 10:00am on November 30, 2012, Brigitte Martin said…

Thank you very much for your membership payment and support of crafthaus. Your membership is valid through December 15, 2015.

Enjoy crafthaus, participate often!

At 11:43am on November 24, 2011, Callie Shevlin said…

OMG, no YOU didn't feed me bitterballen every time, but when we went out, I snagged some every time, remember at Arnhem, I practically took the platter from the server, she was being stingy any how!

At 3:12pm on November 18, 2011, Callie Shevlin said…

Just edited 8.8 today, sadly probably won't make it up on the blog.

At 2:31pm on March 16, 2011, Nicola Louise Reed said…
Aww wow! What did you make of DOJ then? Thank you for your comments - I'll definitely let you know if I have any exhibitions on! :) x
At 5:32pm on February 5, 2011, Brice Garrett said…
Thanks! I think this is so because I want men to wear more jewelry, so in the wood series I wanted a male model.
At 9:12pm on December 4, 2010, Billie Jean Theide said…
Congrats on being a featured artist on Crafthaus!
At 3:28pm on December 4, 2010, Jessica Tolbert said…
GIT IT!
At 10:38am on September 12, 2010, Jillian Palone said…
kerianne-
thanks for the add and lovely comments. I would love to chat sometime! I have really enjoyed your work and your diversity of materials and techiniques.
At 1:26pm on September 6, 2010, nisa blackmon said…
Thanks, Kerianne! How is your work going?
At 9:24pm on September 4, 2010, Kelly Robinson said…
Thank you. Your leather work is amazing!

Kerianne quick's Blog

DUTCH CROSSING - Dutch Design Week - EINDHOVEN - Part EEN - DAE

Posted on October 31, 2011 at 12:30pm 4 Comments

Eindhoven is the fifth largest city in the Netherlands. Located in the south, it is the original home to the dutch electronics giant Phillips which opened its manufacturing in Eindhoven in 1891 causing an industrial boom. More recently it has become the capital of Dutchie (industrial) design. This has mostly to do with the success of the Design Academy which has attracted professionals from the field including…

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DUTCH CROSSING

Posted on October 10, 2011 at 8:30am 0 Comments

BRAND NEW! My Fresh Talent Series on AJF's blog!

 

Check out my first post featuring Boris De Beijer! 

 

 

Freshly graduated from the Gerrit Reitveld Academy, Boris’s romantic vision is not one of baroque finery or Victorian lace, but the new romance of the post…

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DUTCH CROSSING

Posted on October 3, 2011 at 9:30am 2 Comments

 

 …

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Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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