All Blog Posts Tagged 'cultural' (7)

Velvet da Vinci:La Frontera, A Look at the Border Between Mexico and the United States

An important blog by Professor Añoveros regarding the current political and cultural narrative in contemporary wearable art.…

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Added by Rameen Ahmed on August 20, 2013 at 2:00pm — No Comments

You Are (the) Here: London

This was the final city to be visited for this stage of the You Are (the) Here project. Although I had been to London on two previous occasions, I reasoned that a significant enough period of time had elapsed for me to be able to see the city afresh. However, there was still a familiarity due to similarities of language and culture that rendered much of London less remarkable than the previous three cities by comparison. This is not to say that I did not…

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Added by Ana M. Lopez on November 29, 2012 at 1:14pm — No Comments

You Are (the) Here: Origin Story 2

 

This summer and fall I am visiting four cities that are home to exceptional collections of decorative arts. While I play the part of tourist, visiting historic sites and buying souvenirs, I develop a relationship with each new and hereto unfamiliar city. The urban passages that are particular to my time in each city render aspects…

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Added by Ana M. Lopez on August 23, 2012 at 8:13pm — No Comments

You Are (the) Here: Origin Story

I am about to expand upon a new series of artworks that explore the cultural construction of identity through personal adornment. It will result in four wearable metal objects and related imagery and will be completed during my development leave this fall. This series, You Are (the) Here, is inspired by the historic relationship between body adornment, the idealized self and the souvenir that has been indicated by such things as pilgrimage badges of the middle ages, neoclassical…

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Added by Ana M. Lopez on August 23, 2012 at 8:12pm — No Comments

You Are (the) Here: Dresden

Of the three cities I have visited for the You Are (the) Here project thus far, Dresden was the hardest one in which to find a representative subject. This was partly due to the close proximity of my hotel to most of the sites I was interested in seeing, which resulted in a reduced scope of experience. The Green Vault, New Green Vault and Armory were within a block of each other and flanked by other delightful collections of decorative arts. The fact that Dresden was nearly destroyed…

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Added by Ana M. Lopez on August 20, 2012 at 4:56pm — No Comments

You Are (the) Here: Vienna

The collections of secular and sacred metalworking in and around Vienna were overwhelming. As a system of government, monarchies might have some issues but man-oh-man can they turn out some lavish metalwork! I am sorry to say that Cellini’s saliera was not on view and no amount of throwing my (limited) weight around got me access to it. However, Nicholas of Verdun’s altarpiece was incredibly moving…

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Added by Ana M. Lopez on August 7, 2012 at 1:44pm — No Comments

You Are (the) Here: Paris

I proposed this series of objects based on past experiences of having developed relationships with new cities through travel. Supposing this would happen again in each new city,  I was a little unsure of how long it would take to find a personal representation of place; a signifier of the city that was more individualistically based than the famous masterpieces and landmarks. In my first city, Paris, I did indeed wonder on the first day how one person could possibly build a…

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Added by Ana M. Lopez on August 3, 2012 at 4:25am — 1 Comment

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

OFF TO THE RACES:

Rachel and Brigitte got started on their own cooperation. Follow along and comment.

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Behind the Brooch part 2

I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
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Instill - Material Matters 2014

  INSTILL-material matters “The year’s end is neither an end nor a beginning, but a going on, with all the wisdom that experience can instill in us.”  Hal Borland The School of Jewellery at Birmingham City University presents the thesis work by students of the MA in Jewellery, Silversmithing and Related Products course. The show celebrates the achievements of a group of exceptionally diverse individuals, with each piece on display offering an unexpected adventure through material that…See More
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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
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Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK

INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.

Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!

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