Since returning from Istanbul, it has been non-stop in the workshop, preparing work for orders and making some new pieces too. I've sidelined a number of works-in-progress in order to get on with more pressing issues, so there are no updates on my Chanel-inspired piece or my tribute to Alexander McQueen, though I have progressed apace with my first foray into electronics in jewellery, "14th Century Nightlife" which I hope to finish finally this coming week after it sitting on my bench for…

The crazy Easter Holiday is over, back from Istanbul, Brighton and the Bowie exhibition at the V&A - quite wonderful, well worth seeing if you are a Bowie fan, probably best avoided if you are not - and back into the workshop. I've been there for a week now, but it has been so hectic that it feels like I've never been away.



My first morning back, I had agreed to help the Physical Education department to train their new personal trainers, so I was sweating buckets on a…

Wednesday, I had the chance to relax a bit and be a tourist in the city, heading off first thing to see the amazing Hagia Sophia, the wonderful Orthodox church, turned mosque, turned museum.…

People familiar with my work may be surprised to learn that I use CAD (Rhino, primarily) as a design tool and that quite often, elements of my work are made using CAM processes, such as 3D milling of wax which is then cast in precious metals. My own approach to these technologies is not unique and while I don’t use them as a primary method of production, there are many makers who do – Janet Huddie,…

One of the publicity images for Ferrous, the joint Crafthaus/VdV show at Velvet da Vinci, San Francisco...…

I quite often find myself a bit "drained" when I've finally finished a piece of work and, having finished the codpiece, I could relax a bit and make some less challenging work, such as some earring trios to offer to the "Earrings Galore" show at Heidi Lowe Gallery, the call for which is here. I had the annoying problem of a flask of castings of settings for one set failing twice, but have…

Further to yesterday's post, I now have the professional photographs of the codpiece, taken by Simon Murphy: 

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I am now winding the workshop down for the end of the year. I'll be shutting-up fully on Thursday for two weeks, back again in 2013 with new projects to tackle.

Although I've not been quiet in this holiday season, I have been dealing with people who have been startlingly organised and this has meant that for the last week and the week to come, I don't have any rush-jobs to complete, no last-minute dashes to the post-office. The last Commission for the season was sent out on…

(I'm just back from a weekend in Edinburgh, which is why there was a hiatus.)

The last day in Chicago was one of pure tourism. I woke up very early and as the show opened at 11 am and my airport  shuttle was at 11.30 am, I thought that a walk around the area to see some more of the city would be in order.

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The weather has turned and everything seems to be starting again. Over the last week - another week since my last post - I've completed a few things: some smaller "nut" rings, set with stones:

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Despite the best intentions of the last post, I've not posted anything for a week as I've been embarking on a commission from a customer who does not want any of the details published online until she has received the piece.

Since I last wrote, I've been asked to have a solo showcase at the Llantarnam Grange Arts Centre in Wales. I've exhibited there before - in their Re:Collect show in 2009, so it is nice to be invited back to exhibit a small collection of new works. This…

I received an email from Sharon Massey earlier this week, inviting me to submit some pieces for the third "Charmed" exhibition at the SCC in Pittsburgh, to which I happily agreed. Some time ago, Bob Ebendorf and I had been talking about me making a series of charm bracelets which I started but which never got anywhere as I couldn't get over the hurdle of creating a complex piece with essentially no "narrative". (The original plan was to create 10 bracelets and 100 charms which would be sold…

I wanted to have this piece finished for Hallowe'en but things got in the way, so here is my Spoon Skull Cross, a bit of fun made from iron wire from a building site in Brighton, a rusted bolt, some flat ground tool steel from a derelict workshop, a silver souvenir teaspoon, silver, copper, rubies, sapphire, garnets and carnelian:

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One of my students is so hard up just now that he is selling off his gemstones. Normally, I love buying gemstones, but this felt like I was doing something wrong. Still, I gave the (fair) prices asked, so nobody lost out. It is just sad that it has come to this. Hardly surprising as precious metal prices rocket, though I was amazed to see that silver was actually higher in 1980 than it is now, something I only just remember. It was 1980 when the Hunt Brothers tried to corner the market.…