R. Weis's Blog (3)

MANIPULATED SOUND

Here's "Spinning Steel" from R. Weis' CD "Excitable Audible" with an exploration of a sculpture by Atticus Adams.  Two artists working with commonplace materials:  Weis samples and composes with the sound of steel kitchen bowls and Adams sculpts metal screen.

Art & Music from Everyday Stuff

Added by R. Weis on May 15, 2012 at 10:30am — No Comments

R. Weis & Excitable Audible Featured in Spain: English Translation from Prodiemus Magazine Special Issue 2011

English Translation from Prodiemus Magazine (Spain)

Special Issue 2011 “SOUNDSCAPES” -- Pages 27 through 36

http://issuu.com/revista.prodiemus/docs/revista2011

 

A WORLD OF SOUNDS

By Marta Orts Alis

PhD of Philosophy and Education Sciences, Teaching Degree in Piano and Music…

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Added by R. Weis on December 10, 2011 at 5:30pm — No Comments

R. WEIS MAKES MUSIC FROM EVERYDAY SOUNDS ON NEW CD "EXCITABLE AUDIBLE"

“Pay attention to the sounds around you,” says internationally-known composer of manipulated sound R. Weis who releases “Excitable Audible,” his new CD of 14 songs created exclusively from original samples of commonplace sounds including trash hitting the trash can, plastic…

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Added by R. Weis on October 27, 2011 at 1:00pm — 4 Comments

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Takahiro Iwasaki - Miniature Scenes made of Fibers, Dust & Hair

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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