Ana M. Lopez's Blog (15)

Materials Hard & Soft Last Call to Enter

Last chance to enter Materials Hard and Soft. The deadline is September 5th. Please apply! I am the juror this year and am looking forward to seeing a great…

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Added by Ana M. Lopez on August 28, 2014 at 9:30am — No Comments

Soulcology: Exhibition and Award

Plumb Bob: Shelter and Plumb Bob: Loving and Faithful were both accepted into Soulcology: An Exhibition in Metal at the Guilford Art Center in Guilford, Connecticut. It is a national, juried exhibition and will be on view from June 6 through July 27th, 2014. It was organized by Lanette Barber and adjudicated by Robert Dancik. I am additionally pleased to announce that Shelter received the third place award! Both pieces are part of a seried of plumb bobs that either…

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Added by Ana M. Lopez on June 23, 2014 at 4:13pm — 1 Comment

Content/s

I was honored to be invited to participate in the exhibition "Considering the Kylix: Contemporary Interpretations of a Classical Form." The exhibition is curated by Maleyne Syracuse at Peter's Valley School of Craft.

Scan the QR code to be taken to a "hidden" page on my website that includes information about the exhibition, statistics regarding the piece,…

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Added by Ana M. Lopez on April 4, 2014 at 4:30pm — No Comments

Craftforms 2013

Attic Turbine Vent is currently on display at the Wayne Art Center's annual, nineteenth international juried craft exhibition, Craftforms. The juror this year was Lena Vigna,Curator of Exhibitions at the Racine Art Museum in Racine, Wisconsin. Information, including an online and downloadable catalog, may be found here. The exhibition runs from December 6 - January 25,…

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Added by Ana M. Lopez on December 8, 2013 at 10:02pm — No Comments

Topeka 31

One of my enameled panels is hanging in Kansas tonight. "Alchemical Utensils" was selected by juror Sarah Perkins for inclusion in the annual Topeka Competition in the Topeka & Shawnee County Public Library. It is an outstanding annual competitive craft exhibition at the Alice C. Sabatini Art Gallery. I am particularly gratified and awed at having something I did in enamels selected by such a world class enamelist. The exhibition runs from December 6th through January 19th.…

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Added by Ana M. Lopez on November 24, 2013 at 9:48pm — No Comments

BIOMORPH: Contemporary Metals Invitational

Three of my works will be included in this group exhibition. It is an "investigation into the work of metal artists / jewelers using organic form and natural based imagery in the development of their work." Curated by John Ready, director of the University Art Gallery at University of Wisconsin – La Crosse, the exhibition opens on Friday September 20th from 4-6pm and continues through the 12th of October. Participating artists: Yuyen Chang, Madison, WI Sharon Church, Philadelphia, PA Daniel…

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Added by Ana M. Lopez on September 13, 2013 at 5:14pm — No Comments

Materials Hard & Soft - Juror's Award

I am pleased to announce that my piece, Attic Turbine Vent (shoulder brooch) was selected as one of ten pieces in this year's exhibition for a Juror's Award. Materials Hard & Soft is a competitive, national exhibition now in its twenty-sixth year. This year's juror was Jean W. McLaughlin, Executive Director of the Penland School of Craft. 568 pieces were submitted and 71 chosen for inclusion with 10 juror's awards given. I am also pleased to say that a number…

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Added by Ana M. Lopez on February 10, 2013 at 10:14pm — No Comments

SNAG Technical Article Published

I am pleased to announce that a technical article I wrote for the Society of North American Goldsmiths has been published to their…

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Added by Ana M. Lopez on January 31, 2013 at 1:32pm — 1 Comment

You Are (the) Here: London

This was the final city to be visited for this stage of the You Are (the) Here project. Although I had been to London on two previous occasions, I reasoned that a significant enough period of time had elapsed for me to be able to see the city afresh. However, there was still a familiarity due to similarities of language and culture that rendered much of London less remarkable than the previous three cities by comparison. This is not to say that I did not…

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Added by Ana M. Lopez on November 29, 2012 at 1:14pm — No Comments

Fuller Craft Museum Exhibition

One of my enameled panels, Alchemical Utensils, was selected by Curator Dina Deitsch of deCordova Sculpture Park and Museum for inclusion in the upcoming Fuller Craft Museum Members Exhibition. The show will be up from September 22, 2012 – February 10, 2013 with an opening reception on Sunday September 30th from 2 – 5pm.

 

8 x 10"

vitreous enamel on steel

sgrafitto and overglaze…

Added by Ana M. Lopez on August 24, 2012 at 10:46am — No Comments

You Are (the) Here: Origin Story 2

 

This summer and fall I am visiting four cities that are home to exceptional collections of decorative arts. While I play the part of tourist, visiting historic sites and buying souvenirs, I develop a relationship with each new and hereto unfamiliar city. The urban passages that are particular to my time in each city render aspects…

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Added by Ana M. Lopez on August 23, 2012 at 8:13pm — No Comments

You Are (the) Here: Origin Story

I am about to expand upon a new series of artworks that explore the cultural construction of identity through personal adornment. It will result in four wearable metal objects and related imagery and will be completed during my development leave this fall. This series, You Are (the) Here, is inspired by the historic relationship between body adornment, the idealized self and the souvenir that has been indicated by such things as pilgrimage badges of the middle ages, neoclassical…

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Added by Ana M. Lopez on August 23, 2012 at 8:12pm — No Comments

You Are (the) Here: Dresden

Of the three cities I have visited for the You Are (the) Here project thus far, Dresden was the hardest one in which to find a representative subject. This was partly due to the close proximity of my hotel to most of the sites I was interested in seeing, which resulted in a reduced scope of experience. The Green Vault, New Green Vault and Armory were within a block of each other and flanked by other delightful collections of decorative arts. The fact that Dresden was nearly destroyed…

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Added by Ana M. Lopez on August 20, 2012 at 4:56pm — No Comments

You Are (the) Here: Vienna

The collections of secular and sacred metalworking in and around Vienna were overwhelming. As a system of government, monarchies might have some issues but man-oh-man can they turn out some lavish metalwork! I am sorry to say that Cellini’s saliera was not on view and no amount of throwing my (limited) weight around got me access to it. However, Nicholas of Verdun’s altarpiece was incredibly moving…

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Added by Ana M. Lopez on August 7, 2012 at 1:44pm — No Comments

You Are (the) Here: Paris

I proposed this series of objects based on past experiences of having developed relationships with new cities through travel. Supposing this would happen again in each new city,  I was a little unsure of how long it would take to find a personal representation of place; a signifier of the city that was more individualistically based than the famous masterpieces and landmarks. In my first city, Paris, I did indeed wonder on the first day how one person could possibly build a…

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Added by Ana M. Lopez on August 3, 2012 at 4:25am — 1 Comment

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Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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