Join us next Saturday, April 12th for a new exhibit: CONSIDERING THE KYLIX
Opening reception 5-7pm with a Curator's Talk at 5:30pm
https://www.facebook.com/events/728964210481009/?ref=5&source=3...


An invitational exhibition curated by Maleyne Syracuse. Contemporary craft artists reinterpret this form in their own style and materials.

The kylix, the original ceremonial wine cup, first appeared as early as 900 BCE in ancient Greece. The word “chalice,” the term used for the sacred ceremonial wine cup in Christian ecclesiastical services, is derived, via the Latin “calix,” from the Greek “kylix.”

The kylix has appeared from time to time over the centuries, as artisans have recreated or reinterpreted the form using materials, processes, and aesthetics suited to their time.

We invite the public to come and learn more about the fascinating history of this iconic object and see the varied interpretations that have resulted from this challenge.

This exhibition will be on view during our Annual Studio Open House & Bevans Day Event.
We invite the public to come and learn more about the fascinating history of this iconic object and see the varied interpretations that have resulted from this challenge.

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Comment by Susan Madacsi on April 8, 2014 at 11:15am

This is the piece I made for this show. Beer Bong Kylix.
Venturing out of my metal medium into cast glass.

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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