Still not really settled since returning to Scotland. From getting in on Friday, I had to go to work for half a day and then headed off to again to Edinburgh, from where I've just returned, having enjoyed the festival madness there. In short, went to see the Yogyakarta Court Gamelan, which was phenomenal, the David Mach show at the City Art Gallery and wandered around the High Street and the West End Craft fair.


I also met with a friend of mine who works on the Tattoo and got my usual tour backstage. Also got onto the gantries above the castle, which is great fun:

Edinburgh To The North East



The David Mach exhibition of works based on verses from the King James Bible is rather good, though I am not wholly convinced by the collages. They do work individually - for me anyway - and have a real sense of Bosch about them, but there are almost too many of them to be able to view them properly and, ultimately, they all start to seem a bit "samey". At £5 to get in, it is not an exhibition which one can return to regularly either.
A real bonus is the ability to access the studio where he has been creating the works and to see some of his older works and also the way in which he researches and makes the collages.
On the whole, I still prefer his sculptural works - of which there are all too few - though those which are there are magnificent:

Two Of Three



As ever, made from the unlikely common object, in this case, wire coat-hangers.

During the day, I went to the genteel "West End Craft Fair", which is usually mediocre with one or two examples of interesting work. It was especially annoying this year as there were an unusually large number of BEADERS describing themselves as JEWELLERS, which they are not. (This is not up for debate: as a jeweller, I am stating this as fact.) Unfortunately, the interesting makers were all the same ones from last year - with one exception, to follow - and there were rather too many poor-quality or done-to-death products on sale. I did, however, meet with the lovely Josean Garcia, who is an Edinburgh College of Art trained glass blower now working in Venice for Murano and in his own studio making the most beautiful mouth-blown beads, which I really want to use, though I'm not yet sure how:

Venetian Glass Beads



The gamelan music in the evening was utterly superb. I used to play in a gamelan in Glasgow, many, many years ago (now, like everything else decent and interesting in this town, defunct) and the appeal of the music is strong. I played in a Balinese orchestra, which is much gentler than the Javanese orchestra which I heard last night and it was utterly thrilling to hear these bolder instruments first-hand.
As a metalsmith, these instruments are so very appealing:

Yogyakarta Court Gamelan 3



I was also introduced to Javanese dancing, which I had never seen before. This guy was just phenomenal:

Yogyakarta Court Gamelan 6



I really wanted to see him perform more: his physical control was quite unbelievable and he was a most engaging performer. The musicias were all of the highest abilities and the woman shown at in the photograph below has an amazing voice:

Yogyakarta Court Gamelan 5





Top tip for eating out in Edinburgh!
The Malaysian restaurant Kampung Ali in Fountainbridge. It is exactly the same as the legendary "Malaysian Delight" on Nicholson Street but big enough to get lots more people in. (Having said that, they were turning people away by the time I had eaten.)

Achar, boiled rice, Spicy tofu with cabbage, mango bubble tea:

(I'll post photographs of the notebook later!)

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Tags: bead, david mach, edinburgh, festival, gamelan, glass, venetian

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Comment by The Justified Sinner on August 23, 2011 at 2:04pm

Yes! Of course!! I don't want to be mistaken on the bead point: there are some amazing people using beads and also making beads - as noted in the post.

You really should come to Scotland when you have a chance. I'll show you around!

Comment by Brigitte Martin on August 22, 2011 at 8:31am
Sounds like you had quite the day. I'll be sure to follow your recommendations about the restaurant should I ever be so lucky to visit Scotland! Your comment about beaders has been heard. The other reference that comes up quite often in that context is "art jewelry." Makes me cringe every time. Not that there isn't some really exceptional bead work around of which I would love to see more. But stringing a few beads together for sale at a county craft fair just isn't what I have in mind when I think of 'art jewelry'. I would like to be proven wrong.

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

OFF TO THE RACES:

Rachel and Brigitte got started on their own cooperation. Follow along and comment.

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