Garth Clark RIDES A Sinking Ship as Captain

Garth Clark's keynote address from the 2012 SNAG Conference is on the SNAG web site.  Click on this link to listen to the lecture.

Garth Clark speaking in front of a Sinking ShipThe lecture was provocative with many startling conclusions which you may or may not agree with, but I highly recommend listening to his opinions. His PowerPoint of images is not available, however this blog post from ASK Harriete   includes links for most of the names mentioned in the lecture so that you can easily find what Garth Clark is talking about during the podcast. Check out Mark Del Vecchio's & Garth Clark's Facebook page and the internet for more resources.

Garth Clark starts by asking, "Who do you want to Pimp your art in the 20th Century?" He speaks extemporaneously, thoughtfully, and metaphoric in a manner that was easy to understand. He said many shocking thinks. His soft spoken manner, silver tongue and sense of humor smoothed over some very controversial topics.

I have included a few quotes.

"A movement is like a cruise ship...until it springs a leak and sinks."  

Jennifer Trask

Lauren Kalman

"A whole group of artists who have made the shift from craft into art with reasonable success.....one of the only mediums that have not crossed over is metals and jewelry.  It still has a fair amount of resistance in the arts."

Garth Clark is right.

Examples of artists making or using images of jewelry as art below. This work sells at art prices and it shown at elite institutions as art.

IsabellabookIsabelle de Borchgrave

 

 

 

 

 

 

 

 

 

Kimiko Yoshida "obsession with jewelry"

Damien Hirst

Garth Knight Jeweled Creations on his web site

Rashaad Newsome

....then Garth talks about the design world.

"Craft and design are really twins. They were born from the same parents,....with the identical  mission....they wanted to get away from the ghastly lack of taste.... And then they parted..."

Alexander McQueen- "designer and famous artist of our time"

Myra Mimlistch Gray

Marc Newsome Chair sold for 2.1 million dollars

Work based on the domestic object below by Studio Job

Studio JobThe Last Supper
Studio Job design of metal vessels entitled The Last Supper

Essentially the large, rusty, cast-iron dinner service above by Belgian designers Studio Job is inspiration for a twelve-piece, hand made dinner service and another industrially produced collection, manufactured by Dutch porcelain manufacturer Royal Tichelaar Makkum. The prototype is shown in the museum. Modern manufacturing and profit generated support the more artistic adventures.

Selling of the domestic design objects finances the artwork.

Below church created in metal.

ChurchZ-OUT

ChurchINTERIOR
ChurchCUinside
The ten meter-high church is constructed from 100 stacked layers of weathered steel plates.Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh, have built a see-through church in the Belgian region of Haspengouw. The church is a part of the Z-OUT project of Z33, house for contemporary art based in Hasselt, Belgium. Z-OUT is an ambitious long-term art in public space project that will be realized on different locations in the Flemish region of Limburg over the next five years.
ChurchLINES
The project is called ‘Reading between the Lines’ and is a project by the duo Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs (Leuven, 1983) and Arnout Van Vaerenbergh (Leuven, 1983).Since 2007, they have been realizing projects in the public space that derive from their architectural background, but clearly display an artistic intention. As such, their projects do not always originate from the customary commission and carry a large degree of autonomy. Their primary concerns are experiment, reflection, a physical involvement with the end result and the input of the viewer. More information and images can be found at dezeen.

Look at this use of chain by Gijs Van Vaerenbergh

Garth then talks about the money picture.
I
t's really sad and depressing. There must be a middle ground some where, but this is the crux of the issue.  

"The problem is... hands...."

"Your hands can only make X number of pieces in a given day."

"Your expenses go up every day...."

"You are limited completely by what those hands can produce.."

"The only way to get around that is to charge more for the work that you do."

"As we all know raising prices is very tough."

"So you are caught in a very bad economic model where your expenses are now getting ahead of income."

"And the model for the conventional craft studio is not working very well at the moment, and shows no sign of immediate recovery."

"the craft world is facing a situation.... where it is just not working on a financial level."

"If you stay where you are,  you are getting very difficult competition from the design world,  it is very smart,  the work is very  interesting, it is extremely sophisticated in many cases, and between that and D.I.Y. it's really going to squish the [craft] market considerably."

Listen to the podcast and tell me what you think.
I agree with Garth Clark completely about the problems, but I want more answers. I want more options.

S_AJF_logoA Smaller Conference Experience Lunch Discussion continued with Garth Clark and his partner Mark Del Vecchio the next day. Sponsored by the Art Jewelry Forum it was an amazing opportunity to speak with Garth Clark in a smaller group.

Garth Clark's opinions were strong and highly controversial.We need more conversations. We need more people to challenge our assumptions, but now that I am home and evaluating my future....boy, is that depressing.

One other problem... I am filled with remorse.
I didn't ask the questions from Susan Cummins. She said, "I would probably like to ask him about the role of criticism. What role should criticism play in a healthy cultural community? What role does it play in the craft /jewelry world now in his opinion?"

Hey, Garth, if you read this post.Can you answer the question from Susan Cummins so I am not in the "dog house" anymore?

I have another question, but I will save it for later.

Thank you.

Harriete
Garthah72

Garth_backAH72

 

Views: 302

Comment

You need to be a member of crafthaus to add comments!

Join crafthaus

Latest Activity

Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Zsuzsi Morrison JewelleryJewellery Showcase Using traditional enamelling techniques Zsuzsi’s jewellery is imbued with a joyful exuberance. The jewel-like intensity achieved in her colour palette is re-invented through this ancient process. The…"
13 minutes ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Traces: Kate Haywood The Language of Clay Part II 3rd Aug - 14th September 2019   Exhibition Opens Saturday 3rd Aug 12-2pm   http://www.lgac.org.uk/future-exhibitions/item/traces-kate-haywood   Kate’s work may appear…"
19 minutes ago
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Workshop Lin Cheung (UK) Locating the Precious August 25th – 31st 2019 Lin Cheung is a jewellery artist from the UK. She graduated from the Royal College of Art with an MA in Goldsmithing, Silversmithing, Metalwork and Jewellery. She…"
37 minutes ago
Lesley Aine McKeown joined Rebecca Skeels's group
Thumbnail

The Association for Contemporary Jewellery

The Association for Contemporary Jewellery is devoted to the promotion, representation, understanding and development of contemporary jewellery in the United Kingdom and abroad. See More
Saturday

Videos

  • Add Videos
  • View All

© 2019   Created by Brigitte Martin.   Powered by

Badges  |  Report an Issue  |  Terms of Service