Indiana University Program for International Visiting Artist-in-Residence (PIVA)

Indiana University Program for International Visiting Artist-in-Residence (PIVA)
General information
Brief description of organisation
Nestled in the rolling hills of Southern Indiana in the Midwestern portion of the United States. 1 hour from the state capital of Indianapolis, and 4 hours from the metropolitan city of Chicago. Indiana University Bloomington is the flagship campus squeezing a city\'s worth of culture into a college town, bringing together a wealth of cultural resources and the perspectives and talents of students from all 50 states and more than 125 countries. IU Bloomington\'s world-class performance spaces and museums, and outstanding programs in fine arts represent just a few of the opportunities for you to experience diverse ideas and forms of expression—and to create your own. For more information visit the website at www.iub.edu

Organisation founded in
1820

Brief description of residency program
Application period begins Sept 1st, 2012!

Co-sponsored by the Henry Radford Hope School of Fine arts and the Collins Living-Learning Center, Indiana University’s Program for International Visiting Artist-in-Residence (PIVA) hosts one emerging international artist/scholar during the second eight-week session of each fall and spring semester. Artists/Scholars live among the students and teach a studio practice course for Fine Arts and a theory course for the Collins Living-Learning Center. The Studio course meets two days a week for 2 hours and 45 minutes each day. This is a hands-on course teaching techniques and related concepts in any media you are expert in. The theory course meets two days a week for 75 minutes each day having an international scope which focuses on contemporary and cultural criticism. Artists/Scholars will also give an artist’s talk and are invited to exhibit work in progress. Disciplines: Ceramics, Digital Art, Graphic Design, Metalsmithing and Jewelry Design, Painting, Drawing, Photography, Printmaking, Sculpture and Textiles


download and mail the application:

http://www.indiana.edu/~finaweb/test/cms/fina/wp-content/uploads/20...



deadline: November 15th, 2012 for Fall 2013 and Spring 2014 eight week residencies.

criteria: The ideal candidate would have university level teaching experience, proficiency in English and be a self-directed person that enjoys working with students of all skill levels. Areas of concentration are selected on a rotating basis.

Residency program since
2000

Disciplines and media
Visual Art
Sculpture
Ceramics
Textile Art
New Media
Printmaking
Graphic Design, Metalsmithing and Jewelry Design, Painting, and Photography
Type of organisation
Part of a University
Residency conditions
Duration of residencies
between 1 and 3 months
Number of artists resident at one time
1

Companions allowed
Partners
Expenses paid by artist
Travel
Supplies
Expectations of the artist
Presentation
Leading Workshop or Class
Exhibition
Application who/how
Application by Mail

Selection procedure
By Committee

Presentation of artists' work
Exhibition at end of Residency

Description of residency
Setting
Urban

Resources
Internet Connection
Library
Computer
Printmaking Facilities
Ceramics Facilities
Welding Tools
Woodworking Tools
Metal Working Tools
Plaster Room
Number of studios
1

Type and size of studios
Private Studio

Accomodation
Private Room
Working language(s)
English

Other activities happening at the space
Exhibitions


Contact information
Indiana University Program for International Visiting Artist-in-Residence (PIVA)
1201 E 7th St
47405 Bloomington
United States of America
kawatkin@exchange.iu.edu
http://www.indiana.edu/~finaweb/test/cms/fina/about-sofa/visiting-a...
Phone: 812-855-7766

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

Rachel and Brigitte will be appearing on the wonderful Jay Whaley Metalsmith Benchtalk Radio Show, talking about the Co:Operation Garnish project, how they came up with the idea, what the project is about and the plans moving forward.

The radio show will be LIVE on air September 25, 2014 @ 6PM EST / 3 PM Pacific.

http://www.blogtalkradio.com/whaleystudios

Listeners can call in during the show via phone, skype, or directly connect via the blog talk website.

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