Located in the basement of a theater, the Museum of Bad Art (MOBA) is a unique institution dedicated to the celebration of artistic effort, however misguided. The Museum of Bad Art: Masterworks presents a pulsating collection of more than seventy never-before-published pieces of artwork from MOBA's permanent collection. Comprised largely of canvases found discarded on curbside trash piles or obtained for a pittance at thrift stores, this innovative compilation occupies a niche previously ignored in the international community of art collection, preservation, and interpretation. If the subjectivity of art appreciation were ever in doubt, this astonishing assortment of artistic commentaries will fan the flames of controversy. It is clear that many of these artists suffered for their art; now it's your turn.

A photographic catalog of 70 exquisitely bad pieces of master artwork from the permanent collection of the Museum of Bad Art in Dedham, Massachusetts. Featuring profiles of select MOBA artists as well as the stories behind the art.

Available via Amazon and bookstores.

A postcard set is also available here.

The MOBA Permanent Gallery, in the Dedham Community Theater, in Dedham Square, Massachusetts. Conveniently located just outside the men's room, the gallery is open whenever movies are showing, typically 5 to 11pm on weekdays, noon to 11 on weekends and school holidays.

Admission to the Museum of Bad Art is free, so this important institution is supported entirely by voluntary contributions and sales of MOBA gifts.

Louise Reilly Sacco, Permanent Acting Interim Executive Director of MOBA describes the Museum Of Bad Art in this entertaining video.

The museum website gives curatorial nods to themes as varied as

It is not an easy thing to struggle against mighty forces like the giant orange cat consuming humankind.
The Artistic License is available to one and all.
A celebration of the obscure. Cunning artistry hides as well as reveals.
just to name a few.
High time you (re-)visited Boston, don't you think?


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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

OFF TO THE RACES:

Rachel and Brigitte got started on their own cooperation. Follow along and comment.

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Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
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Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK

INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.

Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!

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