You are the best, Brigitte! You are totally right. I do have an academic art background, just not in jewelry. Art History and Ceramics. I did this while also going to music school (UMKC Conservatory). I will give all of this thought, and make extra efforts to find my missing flip cam....heehee...
Thanks for listening!
Heehee... I am brand new to facebook... I was a hold out. One thing I know already... Facebook is way faster and more complicated than I am used to. I am still learning ;-)
The reason I posed the question I did, is that I wondered if I have a voice here... if people are interested at all. There are several reasons I wonder this is that. I am one of not very many people doing more or less "traditional" jewelry pieces. Also, I find that artists who fabricate and cast, and do all of those other metal techniques feel strongly that work being done in wire, unless it is highly conceptual work, is not valid, or at best, inferior. I am finding, in a traditional art school atmosphere, that my voice really isn't heard. I comment on people's work and ask questions, and most of the time it seems not to be appreciated. I love the work I do, and I know a lot about fabrication, casting etc. I just don't have the resources to set up that kind of studio. Nor, do I have the resources to set up a ceramics studio (something I am very skilled at).
So, that said... I just wanted to find out if people are even giving me a second glance. I don't need the validation. But, I am wanting to be involved with this community. I think it is really neat and I feel at home in an art community. I am inspired and always want to grow.
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!
Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016.
Rachel and Brigittewill be appearing on the wonderful Jay Whaley Metalsmith Benchtalk Radio Show, talking about the Co:Operation Garnish project, how they came up with the idea, what the project is about and the plans moving forward.
The radio show will be LIVE on air September 25, 2014 @ 6PM EST / 3 PM Pacific.
"To all Course Tutors or Administrators,
Goldsmiths’ Fair, the UK’s most exciting showcase of contemporary jewellery and silver, returns this year with a fresh look and raft of new exhibitors. Staged in London’s iconic…"
"Running art workshops
Brenda Burgess is an artist and sculptor who runs art workshops for children at Leeds Castle and various schools in Kent. She spoke about her career journey and shared advice for earning an income from art.
There are no limits on quantity. Please know that if there is limited space but juror's want your work in the exhibition, we (they) may only ask for certain work from the series. I hope that makes sense."
I've been in the workshop a lot over the last week - not all of which has been to bury my head in the sand away from the increasingly nasty pro- and anti-independence campaigns in Scotland (which is also why I've not been so active on social media recently). Mostly, I've been working on commissions - a set of buttons, a couple of rings - and the collar…See More