Interdisciplinary. Community. Advocacy. Humor.
The Association for Contemporary Jewellery is devoted to the promotion, representation, understanding and development of contemporary jewellery in the United Kingdom and abroad.
Website: http://www.acj.org.uk/
Location: UK
Members: 67
Latest Activity: Oct 11, 2020
is devoted to the promotion, representation, understanding and development of contemporary jewellery in the United Kingdom and abroad.
Founded as a membership association in 1997 and registered as a Limited Company in 2006, it recognises a need to foster discussion, debate and critical review and interaction amongst its members. To this end we organise conferences, lectures, seminars, workshops and an annual general meeting for our members. Our regular newsletter, findings, features reviews, information, comment, book offers and discounts and is of benefit to both our members and the wider public. We also produce a monthly e-bulletin featuring news and opportunities.
We welcome as members practising jewellers, associated designers and crafts people, educators, students, gallery owners and retailers, museum curators, critics and collectors - indeed, anyone with an interest in contemporary jewellery.
The Association for Contemporary Jewellery
PO Box 37807 London SE23 1XJ United Kingdom
Telephone: + 00 44 (0)20 8291 4201
Fax: + 00 44 (0)20 8291 4452
Email: enquiries@acj.org.uk
WHAT WE DO
• promote greater understanding of contemporary jewellery
• support jewellers’ creative and professional development
• develop audiences for this lively field of contemporary craft and design
Started by Rebecca Skeels Oct 11, 2020. 0 Replies 1 Like
Dear All Members, Followers and Likers of our Network pages.We are currently streamlining our pages at the moment and have found that fewer people are now following and using twitter and crafthaus to find out about jewellery events, exhibitions, opportunities, seeing new work and generally chatting about jewellery.If you use these, please head over to our other pages on other platforms: -Facebook: https://www.facebook.com/Association.Contemporary.Jewellery/Linkedin Group: https://www.linkedin.com/groups/3628898/Linkedin Business page: https://www.linkedin.com/company/association-for-contemporary-jewellery-limitedInstagram: https://www.instagram.com/acj.org.uk/and of course, our main website…Continue
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CALLING ALL HAND ENGRAVERS!
We are really excited about the imminent rehousing of the Clockmakers' Collection in the Science Museum in London this autumn - not least because the move includes the Association's own Paperweight collection. This is a wonderful opportunity for us to bring our work to a much wider audience. But we could do more! We would love to enlarge the collection, especially with examples of seal cutting and carving and filigree. So, if you would like to display your work alongside the best of contemporary hand engraving, and in an unparalleled setting, please get in touch with exhibitions organiser Alan Craxford at alanjohncrax@icloud.com.
MALCOLM APPLEBY SYMPOSIUM
Edinburgh & Grandtully, 6-8 August
This summer's main event is the bi-annual symposium, once again generously hosted by Malcolm Appleby and his wife Philippa. And this year there is an extra treat in store. In addition to the weekend, attendees are invited to join Malcom and Philippa in Edinburgh on the Thursday for a visit to Miriam Hanid's solo exhibition at The Scottish Gallery. The group will then head to the National Museum of Scotland for a private tour of the Scottish galleries guided by the Keeper of Scottish History and Archaeology, George Dalgleish. This promises to be a rare chance to get a behind-the-scenes look at an exceptional collection of hand engraved silverware, and will include an opportunity to handle pieces from the museum's archive. The day includes lunch at the museum's brasserie, and there will be plenty of time afterwards to travel up to Grandtully for a relaxing evening in the peaceful setting of Malcom and Philippa's home (pictured above right).
The focus of this symposium is design, and makers representing a range of disciplines will be demonstrating their skills during the weekend, including blacksmith and knife maker Chris Grant and linocut wood engraver Linda Farquharson (work pictured above left). Malcolm would love everyone to bring examples of their work along to the symposium in the hope it will generate rich discussion. There will also be an opportunity to swap tools, so bring along anything you are willing to exchange.
If you are interested in attending the symposium, there is still time to book tickets. Please contact Jessica Turrell at info@handengravers.co.uk for
more information.
MALCOLM APPLEBY SYMPOSIUM
Edinburgh & Grandtully, 6-8 August
This summer's main event is the bi-annual symposium, once again generously hosted by Malcolm Appleby and his wife Philippa. And this year there is an extra treat in store. In addition to the weekend, attendees are invited to join Malcom and Philippa in Edinburgh on the Thursday for a visit to Miriam Hanid's solo exhibition at The Scottish Gallery. The group will then head to the National Museum of Scotland for a private tour of the Scottish galleries guided by the Keeper of Scottish History and Archaeology, George Dalgleish. This promises to be a rare chance to get a behind-the-scenes look at an exceptional collection of hand engraved silverware, and will include an opportunity to handle pieces from the museum's archive. The day includes lunch at the museum's brasserie, and there will be plenty of time afterwards to travel up to Grandtully for a relaxing evening in the peaceful setting of Malcom and Philippa's home (pictured above right).
The focus of this symposium is design, and makers representing a range of disciplines will be demonstrating their skills during the weekend, including blacksmith and knife maker Chris Grant and linocut wood engraver Linda Farquharson (work pictured above left). Malcolm would love everyone to bring examples of their work along to the symposium in the hope it will generate rich discussion. There will also be an opportunity to swap tools, so bring along anything you are willing to exchange.
If you are interested in attending the symposium, there is still time to book tickets. Please contact Jessica Turrell at info@handengravers.co.uk for
more information.
Talk
Gallery talk with Curators Elizabeth Goring
and Gregory Parsons
Saturday 11 July
11.00am, Gallery 1 & 2
FREE please call to book a place
Come and meet the curators for an informal gallery talk, where they’ll talk you through the notion behind the ‘Not Too Precious’ exhibition and introduce you to the jewellers work.
To book your place call 01824 704774
http://ruthincraftcentre.org.uk/whats-on/gallery-1-2/
PUBLICATIONS
Not Too Precious
This stunning hardback publication accompanies the Not Too Precious exhibition curated by Elizabeth Goring and Gregory Parsons. Not Too Precious showcases jewellery by 25 international makers using materials for their expressive potential rather than for their intrinsic value.
76 pages, Hardback
Full colour, 210x265mm
ISBN: 978-1-905865-12-3
Language: English or Welsh
To order call: 01824 704774 or email: thegallery@rccentre.org.uk
Special Offer Price: £15.00 (for the duration of the exhibition)
RRP: £18.00
Not Too Precious
11 July – 20 September 2015
Jewellery by 25 international makers.
Attai Chen, Carina Chitsaz-Shoshtary, Eunmi Chun, Warwick Freeman, Emmeline Hastings, Christel van der Laan, Felieke van der Leest, Sari Liimatta, Märta Mattsson, Jasmin Matzakow, Kazumi Nagano, Shinji Nakaba, Lina Peterson, Zoe Robertson, Michihiro Sato, Mariko Sumioka, Emiko Suo, Tore Svensson, Janna Syvänoja, Mirei Takeuchi, Timothy Information Limited, Terhi Tolvanen, Catherine Truman, Flóra Vági, Heather Woof.
Not Too Precious explores inspirational work by 25 international jewellers using materials for their expressive potential rather than for their intrinsic value. Radical artist jewellers of the late 1960s and 70s vigorously rejected the idea that jewellery should be considered ‘precious’ simply because of the materials of which it was made. Today, the use of a huge variety of materials in jewellery is far more accepted, but economic pressures are putting that freedom of artistic expression at potential risk as people revert to traditionally ‘valuable’ materials for ‘safety’. Not Too Precious challenges preconceptions about ‘non-precious’ materials by encouraging us to consider ‘accrued value': what talented makers bring to their work through their ideas and skill.
The selected artists, who currently work in the UK, Europe, Japan, Australia and New Zealand, create innovative, skilfully-made jewellery that is insightful and culturally resonant. Sometimes poignant, sometimes witty, their work communicates at many levels. It is above all honest and – for want of a better term – not too precious.
An accompanying showcase exhibition in the Retail Gallery highlights work by more recent graduates and makers coming to jewellery from other fields.
Designer in Residence or Postdoctoral Researcher in Colour and Material Design
Aalto University School of Arts, Design and Architecture - Department of Design
Location: Aalto
Salary: Not specified
Hours: Full Time, Part Time
Contract Type: Contract / Temporary
Placed on: 3rd July 2015
Closes: 31st August 2015
Aalto University School of Arts, Design and Architecture, Department of Design invites applications for
Designer in Residence or Postdoctoral Researcher in Colour and Material Design
The position is fixed-term and will be filled for two years. The starting date is preferably as soon as possible but is negotiable.
Main tasks
Colour and Material Design mastery is one of the most important design skills of the 21st century. It leads creative direction and business strategy, drives new forms and better functionality and impacts sustainability. The senso-aesthetic properties of colour and materials build strong emotional connections between products, environments, brands and people. In May 2015 Aalto University held its first annual Designing Soul Event. The event will function as a global platform for sharing the newest research, artistic projects and innovations in colour and material design.
The Department of Design is looking for a designer in residence/postdoctoral researcher whose design practise, research and teaching interests address strategic and artistic colour and material design.
The artistic practise and research field of the designer/researcher encompasses ambitious and experimental colour and material design projects and quality research on colour and material innovations, design practises and strategies through multidisciplinary collaboration with scientists and engineers in Aalto University as well as domestic and international designers, companies and institutions.
In addition the designer in residence/ postdoctoral researcher will participate in teaching. In the next academic year of 2015/16 four colour and material design related courses will be offered for master students across the School of Arts, Design and Architecture.
Requirements
A successful candidate should be/have:
Doctoral degree or MA degree and at least 5 years of work experience in a relevant field
Excellent knowledge of materials and processes
Mastery of colour theory and design
Knowledgeable of consumer and market dynamics and trends
Competence in key design programs and tools
Strong verbal and visual communication and presentation skills
Comfortable working with multidisciplinary teams and ability to collaborate
Ability to form relationships and build networks
Excellent verbal and written communication skills in English
Self-directed and highly motivated with a hands-on energetic approach
The evaluation is based on the total assessment of a candidate in each main dimension: research, artistic/professional work, teaching, activity in scientific and professional community and academic leadership.
How to apply
The applications for the postdoctoral researcher/designer in residence position are to be submitted through Aalto University´s eRecruitment system http://www.aalto.fi/en/about/careers/jobs/view/557/ no later than on August 31st, 2015.
The application for the position should contain (in pdf format):
Cover letter
CV
Portfolio, including max. five art works, designs or productions, published articles (in a single file, size limited to 100 MB)
List of publications
..
Additional information
Concerning the job description and requirements, Associate Professor Jaana Beidler, tel. +358 40 146 7359, email jaana.beidler@aalto.fi
Concerning the application process, HR Coordinator Jussi Hartikainen, tel. +358 50 575 3888, email jussi.hartikainen@aalto.fi
Artist in Residence
University for the Creative Arts (UCA) and the Watts Gallery
Location: Farnham
Closes: Thursday 16th July 2015
Award : UK/EU only
Interviews: 22 July 2015
The University for the Creative Arts is a specialist institution located on campuses at Canterbury, Epsom, Farnham and Rochester. UCA is committed to creative practice and understands research to be at the heart of the creative arts and industries. Our researchers represent a broad range of practice as artists, designers, architects, filmmakers, photographers, historians, theorists and curators.
UCA Farnham has for many years worked in partnership with Watts Gallery, Compton. Since first opening its doors to the public in 1904, Watts Gallery, a purpose-built art gallery created for the display of works by the great Victorian artist George Frederic Watts OM RA (1817-1904), has been a centre for artistic culture and practice.
UCA / Watts are now looking to appoint an Artist in Residence. Given our shared commitment to social engagement with fine art we would be interested to receive proposals that explore the interrelated themes of fine art and public pedagogy.
The successful candidate will receive a stipend of £6K and will enjoy sole use of a dedicated studio at Watts for the duration of one year (2015/16). The residency culminates in a solo exhibition in the contemporary gallery space at Watts.
To apply:
Applications should take the form of a proposal for the residency, to include an artist statement (max 200 words) a CV and examples of your work. Applications should be sent by email to Liz Baxter, Research Officer, University for the Creative Arts – ebaxter@ucreative.ac.uk
University for the Creative Arts
Watts Gallery
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