The best part about NCECA, for me as a first-time attender, was not all the ceramic work, people, and presentations that I knew I would see. It was the surprises.  Most of those surprises came to me while looking through the many exhibitions. Maybe too many. I often found myself thinking, “This is a great. I can’t believe that I find this piece to be so strong.” The question that follows, always, is “Why?” Why is this exceptional? There is an old saying that goes, “Art sells you yourself.” Maybe that discovery of your own responses is one of the big payoffs of looking at art.

The other big surprise was one of the student presentations. I was blown away by Raheleh Filsoofi’s exceptional Student Perspective Lecture, Clay as a Record Keeper of Iranian Cultural Heritage. Filsoofi presented some of the best of historical Iranian ceramic tile work, the story of the remarkable symbolic importance of this work to Iranian women, and images of her own work. Filsoofi’s polychromatic geometric tiles were informed by this depth of experience; rich and varied imagery combined with a complex human story. It was history at its best; completely alive, still growing and full of passion. I hope that there is more from this artist, and more of this story, shared more widely.

 

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streamlining our pages

Dear All Members, Followers and Likers of our Network pages.We are currently streamlining our pages at the moment and have found that fewer people are now following and using twitter and crafthaus to find out about jewellery events, exhibitions,…See More
Oct 11, 2020
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Dear All Members, Followers and Likers of our Network pages. We are currently streamlining our pages at the moment and have found that fewer people are now following and using twitter and crafthaus to find out about jewellery events, exhibitions,…"
Oct 11, 2020

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