Interdisciplinary. Community. Advocacy. Humor.
curator: Heidemarie Herb
This exhibition shows a number of different approaches to amber, running the gamut from artists working with amber for the first time, to those who have been working with it for an extended period.
The contrasts in these works should help to update the traditional and still rather one-sided view of amber jewelry, showing new possibilities about this interesting material.
More than something washed ashore
Edmund Spenser once wrote his lover’s name in the sand at the shore,
twice, but the waves washed it away.
The waves also transform amber, which is soft, warm, and can be white, yellow, brown, black, or skin tone. Amber is an organic substance, sometimes opaque, other times translucent, revealing a glimpse of its interior, with wonderful inclusions of a forgotten time. It can be alluring, electric, and when its contact is desired, it has healing qualities.
Spenser’s lover told him that he and his gesture were both vain and for
naught, as both she and her name were ephemeral. Spenser responded that his verses would immortalize her virtues and inscribe her name in heaven.
While jewelry makers may be forced to work with more mundane materials at their disposal, their works in amber need neither explanation nor interpretation: The effect is immediate.
The philosopher Michel Foucault* declared the death of the object as
the source and basis of knowledge, freedom, language and history, perceiving a danger that mankind would disappear like footprints in the
sand. Spenser reaches a different conclusion: When death overtakes the world, our love lives on, and renews the life that comes after it.
This is why jewelry makers work with amber: For a sense of personal
happiness, and for the well-being of the living.
*Michel Foucault, Les Mots et les choses. Une archéologie des sciences humaines,
1966, Dits et Écrits, 1994
ring, untitled, copper, silver, opal, amber, photo by artist, 2015
brooch, 60x35x70 mm, silver, mother of pearls, amber
photo N. Weber, 2015
neckpiece, "time", 130mm, iron, silver, baltic amber, brass, natural rope,
photo S. Tili, 2014
pendant, "mona", 120x70mm, wood, amber, photoprint on aluminium
ring, " n.T." , 25x25x40mm, gold, amber, plastic, photo by artist, 2015
brooch, untitled, silver, amber, 120x15mm, photo by artist, 2015
"potato chip ring" , height 25mm, gold,amber, photo B. Klockmann, 2015
brooch, "Todesengel" (Angel of Death), 90x85x27mm, photo P. Zimmermann, 2015
brooch, "golden toast 2", 11x10,5x8mm, baltic amber, transparent silicon
stainless steel, photo by artist, 2013
rings, untitled, amber, PMMA, gold, photo by artist, 2014/2015