Senior Wood Design II

Table for Dali, and ADHD Chair

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2014 Crafthaus Project Grant Recipient

Crafthaus is pleased to announce that Leisa Rich's project "Invisible:VisAble" garnered 968 votes of 2,575 total votes cast (37.59%) and is the 2014 Crafthaus Project Grant Winner.

Starting in November, we all look forward to following Leisa's crafthaus blog about her project.

Thank you to everyone who voted. Much success for all projects!

View all voting results.

Latest Activity

Emily Hickman liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
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Emily Hickman shared Mark Fenn - Studiofenn's group on Facebook
36 minutes ago
Sophia Georgiopoulou joined Brigitte Martin's group
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Crafthaus Project Grant 2014

Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
59 minutes ago
Sophia Georgiopoulou joined Jivan Astfalck's group
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Instill - Material Matters 2014

  INSTILL-material matters “The year’s end is neither an end nor a beginning, but a going on, with all the wisdom that experience can instill in us.”  Hal Borland The School of Jewellery at Birmingham City University presents the thesis work by students of the MA in Jewellery, Silversmithing and Related Products course. The show celebrates the achievements of a group of exceptionally diverse individuals, with each piece on display offering an unexpected adventure through material that…See More
59 minutes ago
Profile IconLenore Lampi, Adriane Dalton and 13 other members joined Mark Fenn - Studiofenn's group
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Tales From the Tool Box - Chapter One

Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
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Maya Sabbatini shared Mark Fenn - Studiofenn's group on Facebook
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The Justified Sinner commented on The Justified Sinner's blog post Texas!
"I didn't buy any boots... they are not really my style, though I admire them.  There was a bull to sit on - a rather placid creature, it seemed, but I never thought to sit on it. If James had told me that you had done it, I would too, then…"
2 hours ago
Sophia Georgiopoulou commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Thank you for curating this exhibition. The works are beautiful and striking. Looking forward to Chapter 2."
2 hours ago
Rameen Ahmed liked Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
2 hours ago
Lieta Marziali commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Most fabulous. All my work is narrative too. It is an urge that grew in me and has slowly permeated my entire practice. I now don't think I could work in any other way. Really looking forward to Chapter 2."
3 hours ago
Brigitte Martin commented on The Justified Sinner's blog post Texas!
"I am thrilled to see you had such a great time, Dauvit. Funny, James took me boot shopping as well when I was down there and I visited the same store you went to. At the time, someone was getting his boots custom fitted, it was sight to be seen. You…"
4 hours ago
Linda Kaye-Moses commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"Strong and beautiful exhibition. Thanks for giving us the chance to see this work."
4 hours ago

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

© 2014   Created by Brigitte Martin.

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