Retracing my steps: Explorations in Fiber Sculpture at Arrowmont

Class Day at Arrowmont - Day 1

- blog post by Amber O'Harrow, 2014 Arrowmont / crafthaus Workshop Scholarship Recipient

After dinner, there was an orientation, and then our class met for the first time.  Everyone was very friendly and welcoming.  We seem to have a good group. Tonight, we each gave a presentation of our work, so that we would understand one another better.  The work was diverse and excellent.  I am looking forward to seeing some interesting work by the end of the week!

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Prima Donna Assoluta

- blog post by John Lunn

I've been so busy with work I've missed writing the blog for a couple of weeks. I've got some ideas to share, I just need time to assemble the thoughts. In the meanwhile, let me share my latest flute images. These portraits are of famous opera divas past and present (taken from images while in costumed role).

Blog Posts

Midsummer

Posted by The Justified Sinner on July 21, 2014 at 6:48am 0 Comments

Brighton Beach Scene

As usual, I've relocated to the South Coast for the summer and have been doing very little to do with work. Since my last post, I've had my friend and fellow-jeweller,…

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Game Changers: Fiber Art Masters and Innovators

Posted by Brigitte Martin on July 14, 2014 at 9:30am 0 Comments

A rich feast of color radiating from a large, handwoven tapestry of alpaca wool; an elegant choker necklace delicately twined and forged with 18K and 22K gold; a cosmic quilt, woven from mylar and holographic film; a Whisker Organ made of real cat whiskers, which play lovely organ music…

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Hella Jongerius: Craftmanship in Industrial Design

Posted by Brigitte Martin on July 13, 2014 at 3:30pm 0 Comments

Four Seasons

Year: 2007

Material: Porcelain, glaze, hand-painted decorations, fabric, embroidery

Dimensions: Various, highest point of jug: 26 cm

Commission: Nymphenburg, München

Production: Nymphenburg

Category: Unlimited…

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Daniel Agdag - Sketching with Cardboard

Posted by Brigitte Martin on July 11, 2014 at 9:30am 0 Comments

Daniel Agdag on sculpting with cardboard:

"It began as pure necessity. I had a small space to work in and it was a very convenient. I just needed a blade, a ruler, some cardboard and a cutting…

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Kevin Coates Video

Posted by The Justified Sinner on July 10, 2014 at 5:00pm 0 Comments

I'm on holiday just now and for the first time in years actually have a holiday to take with no classes to teach. It is quite a luxury and I'll be spending the next few weeks entertaining a metalsmith friend from the USA, Madelyn Smoak and there will definitely be blog posts about that. In the meantime,…

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Gillian Bates - Seascape Embroidery

Posted by Brigitte Martin on July 10, 2014 at 3:18pm 0 Comments

Gillian Bates is a UK-based textile artist who specializes in embroidery to capture memories of seaside Britain. Her work is done as if she’s drawing with needle and thread instead of a pen, as she makes her mark by using a freehand…

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Jeremy Mayer - Typewriter Assemblage

Posted by Brigitte Martin on July 10, 2014 at 1:30pm 0 Comments

I was born in Northern Minnesota in the US of A in the 1970's. I moved to Northern California in 1990. I have no formal art training.

I disassemble typewriters and then reassemble them into full-scale, anatomically correct human figures. I do not solder, weld, or glue these assemblages together-…

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Call for Entries - theme is "Harvest"

Posted by Cyd Rowley on July 8, 2014 at 10:30am 0 Comments

Crafthaus Online Exhibition Call For Artists:  

Exhibition Date Aug 22 - Sept 22.  

Deadline to submit: July 15, 2014 

A Harvest used to describe a…

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The Barber and his Tools

Posted by Brigitte Martin on July 7, 2014 at 12:00pm 0 Comments

When you hear the word 'barber shop' and think of 4 men singing in close harmonies you are correct but still missing a large part of the story. The profession of barbering is actually quite old and much more interesting. Archeological studies indicate that some crude forms of…

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Rule the World!

Crafthaus Online Exhibition

RULE THE WORLD

Friends of Carlotta Gallery, Zuerich, Switzerland

What are the adornments of dictators, despots, and the plain delusional? What do they need in order to let their real personalities shine through? What tools do tyrants have to show that they are in charge? See for yourself!

Image above:

Grandpa Wooley

"LOOK", Brooch
Internet photocopy of Gerard Depardieu and Vladimir Putin,
Plexiglas, fabric, imitation leather, yarn, wood, silver brooch

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Midsummer

As usual, I've relocated to the South Coast for the summer and have been doing very little to do with work. Since my last post, I've had my friend and fellow-jeweller, Madelyn Smoak with us here and that has lead to adventures. We started off in London at Tate Britain to see the…See More
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raissa bump is now friends with Louise Perrone, Kathleen Edwards Hayslett and Kelly Nedderman
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Retracing my steps: Explorations in Fiber Sculpture at Arrowmont

Arrowmont: after 25 years, I am returning to the place where it all started for me as a fiber artist.  That embarrassing picture is me, Amber O’Harrow (then Amber Wood), with my first weaving, turned into a bag.  Let’s see where my journey has led me since then, as I follow my guide, Pat Hickman on an exploration of fiber sculpture at Arrowmont School of Arts and Crafts. See More
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We Are SNAG: Identity Calll for Entry

There is just under two weeks left to submit your work! Deadline is July 31st and is open to all SNAG members ages 18 and up.We are SNAG: Identity Call for Entry Open!Juried Online Member ExhibitionWE ARE SNAG: Identity is the first in a series of juried online WE ARE SNAG member exhibitions celebrating the breadth of our field and membership.  Exhibition Jurors:  Tim McCreight, Jim Meyer, Stacey Lee Webber …See More
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Events

masthead image credits

Holland Houdek

"Submammary Pectoral Plate (Side View)

Fabricated copper sheet, pierced, silicone breast implant, Swarovski crystals, bead-blasted, patina (2014)

Statement for 'Hyperbolic (Implants Series III)':
This series focuses on medical implants, the body, and embodied experience. These hand-fabricated objects glorify the highly individual and personal nature of prosthesis and surgeries, while evoking notions of memento mori and the fragile nature of the human form. Using real medical implants as inspiration, I have re-invented and exaggerated these devices for imagined bodies. The intention is for viewers to consider their own physicality and to visualize the absent anatomies implied by the work.

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