Untitled

Steel series 2011
Cuff/Bracelet
Steel
4X4X2.5 inches

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Comment by peg fetter on August 26, 2011 at 4:54pm

this is so lovely

Comment by gene pijanowski on August 17, 2011 at 4:44pm

wonderful. steel alloy is? patina is?

hana choi is my girlfriend here in honolulu.

genepijanowski.com

Comment by gene pijanowski on August 17, 2011 at 4:43pm

the alloy ? and the patina? how did you do it?

my girl friend is hana choi of honolulu....

genepijanowski.com

Comment by Brigitte Martin on August 17, 2011 at 10:24am

Great photography is a major component in "making" nowadays. Since most people will only ever see one's work online or in print, the necessity for quality photos cannot be overstated. Trust me, I see a lot of photography every day, yours is particularly good, so I wanted to acknowledge that.

Oh, and thank you for adding information and tags to your images !!

Comment by david choi on August 17, 2011 at 10:07am

I am! my strategy is that you take thousands of shots, and you will find few good ones. of course photoshop comes in handy afterwards! Thank you for your words.

Comment by Brigitte Martin on August 17, 2011 at 7:14am

David, may I ask, who is your photographer? Beautiful shots!!

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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