Bonnie Beaux
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Bonnie Beaux's Page

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Swanica Ligtenberg commented on Bonnie Beaux's photo
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Fish Plate 17 Inch Glaze

"What a beautiful plate! So nicely decorated and the right colors!!"
Jun 3, 2012
Bonnie Beaux commented on Bonnie Beaux's photo
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Fish Plate 17 Inch Glaze

"This is what the plate looks like after firing it at cone 06 in the kiln."
Apr 7, 2009
Bonnie Beaux posted photos
Apr 6, 2009
Bonnie Beaux is now a member of crafthaus
Apr 6, 2009

Profile Information

Where do you live ? City, State and Country
Laguna Hills ca.
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
I work in my home studio and display my craft at the Laguan Festivals in Laguna Beach at Art-A-Fair and Sawdust Winter Fantasy.
I am a .... Example: Student, Maker, Educator, etc.
My media is ceramics, jewelry and garden photography.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://bonniebeaux.com

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Comment Wall (2 comments)

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At 8:22am on April 7, 2009, Brigitte Martin said…
Bonnie:
How interesting to see the "before" and "after" firing. Thanks for posting.
At 8:42pm on April 6, 2009, Brigitte Martin said…
Dear Bonnie:

Welcome to crafthaus ! I am very glad you joined us !

Please add your comments and thoughts to the blogs and discussion forums that are already posted. Of course, if there is something else you'd much rather talk about, please add that to the site so that the rest of us can chime in.

I really hope you will enjoy being with this network and find the exchanges interesting and fun. The more you put into it, the more you will get out of it, for sure.

Please note that crafthaus is a member-financed website, meaning that a small annual fee is involved in being a member . You will find all the necessary information on how to go about this in the FAQs section of the site. Your membership fee is due May 15 and is payable through paypal (preferred,) check or credit card.

Finally, if there are ever any questions or concerns, please don't hesitate to email me anytime. I will do my best to be of help.

Again: Welcome and enjoy !

Brigitte Martin
Editor www.crafthaus.ning.com
Director, Luke & Eloy Gallery
www.lukeandeloy.ning.com
 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Monday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
Monday
The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
Monday
Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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